Narrative Persuasion
While the larger focus of this class will be on the art of storytelling, the minute-by-minute concern will center on the particular choices and movements of a piece of writing as it unfolds and develops. We will be very specific and concrete, and conceive of ourselves as the mechanics and engineers of our souls. We will spend a lot of time exploring rhetoric as the art of persuasion, and concentrate on tone, diction, rhythm, pacing, and transitions in effective prose. We will figure out how a writer generates, sustains, and controls energy on the page. Reading will comprise a series of essays and at least one book. Writing will comprise five to seven exercises of no more than five hundred words and two larger pieces, approximately three thousand words each, which will be discussed by the whole class. The discussion will be lively and pertinent.
MFA Writing Program courses
- Comic and Graphic Novel Writing Class
- Craft Class: The Very Contemporary
- Fiction Workshop
- Fiction Workshop
- Fiction Workshop
- Fiction Workshop
- Fiction Workshop
- Fiction Workshop
- Fiction Writing Workshop
- Generating and Revising Poems: Finding the New in the Old
- Issues in Nonfiction
- Narrative Persuasion
- Oral History
- Personal Essay Workshop
- Personal Issues: Finding the Universal in First-Person Nonfiction
- Poetry Craft: Twentieth-Century Avant-Garde Poetry
- Poetry Workshop
- Poetry Workshop
- Reading for Writers
- Teaching Writing
- Technologies of Poetry
- The Contemporary Short Story
- The Craft of Fiction: In Search of Lost Time
- The Genre of the Sentence
- The Image Factory: A Poetry Workshop
- Truthiness Radio: From Tall-Tale Monologues to Radio Drama With Some Facts Mixed In
- Workshop in the Novel