Fiction Workshop
The focus of most of our discussions will stem from the students’ work. Whose story is it? What is a particular writer’s intention for tone? How is the voice in keeping or in counterpoint with the subject matter? How is the story structured in time? What are you beginning to recognize as the most mysterious and promising material of the story? Which details seem spooky and informative of a larger revelation? What actions, events, and memories are beginning to form a pattern in the story, and how can these patterns be recognized and better developed? The questions, conceptions, and issues that arise in the workshop are as rich and varied as the enterprise of fiction. As a complement to the discussion of students’ work, we will spend one-third of our time reading essays on the craft and process of fiction, as well as master stories by selected authors. All of the members of the workshop are encouraged to contribute these readings.
MFA Writing Program courses
- Comic and Graphic Novel Writing Class
- Craft Class: The Very Contemporary
- Fiction Workshop
- Fiction Workshop
- Fiction Workshop
- Fiction Workshop
- Fiction Workshop
- Fiction Workshop
- Fiction Writing Workshop
- Generating and Revising Poems: Finding the New in the Old
- Issues in Nonfiction
- Narrative Persuasion
- Oral History
- Personal Essay Workshop
- Personal Issues: Finding the Universal in First-Person Nonfiction
- Poetry Craft: Twentieth-Century Avant-Garde Poetry
- Poetry Workshop
- Poetry Workshop
- Reading for Writers
- Teaching Writing
- Technologies of Poetry
- The Contemporary Short Story
- The Craft of Fiction: In Search of Lost Time
- The Genre of the Sentence
- The Image Factory: A Poetry Workshop
- Truthiness Radio: From Tall-Tale Monologues to Radio Drama With Some Facts Mixed In
- Workshop in the Novel