Fiction Workshop
The most delicate choices a writer makes significantly affect a story or novel. In this workshop, we'll take a close-up look at your fiction. We'll focus on precision of language, explore the mysteries and mechanics of point of view, and talk about building a stable world with words. We'll treat our stories as laboratories of the imagination that accommodate daring and complex experiments. Empathy is a prerequisite for effectively discussing each other's work. In workshop discussions, we'll cultivate articulate critiques that always keep the writers' intentions in mind. Revision will be emphasized; over the course of the semester, each student will revise a story or novel excerpt at least twice and will have the option to workshop different drafts. The published stories that we read will be chosen in response to students' writing and may include work by authors such as Ann Beattie, Gary Lutz, Denis Johnson, Robert Lopez, Blake Butler, Anton Chekhov, Junot Diaz, Barry Hannah, and Joy Williams. We may also read essays by Lutz, Italo Calvino, Jo Ann Beard, and others.
MFA Writing Program courses
- Comic and Graphic Novel Writing Class
- Craft Class: The Very Contemporary
- Fiction Workshop
- Fiction Workshop
- Fiction Workshop
- Fiction Workshop
- Fiction Workshop
- Fiction Workshop
- Fiction Writing Workshop
- Generating and Revising Poems: Finding the New in the Old
- Issues in Nonfiction
- Narrative Persuasion
- Oral History
- Personal Essay Workshop
- Personal Issues: Finding the Universal in First-Person Nonfiction
- Poetry Craft: Twentieth-Century Avant-Garde Poetry
- Poetry Workshop
- Poetry Workshop
- Reading for Writers
- Teaching Writing
- Technologies of Poetry
- The Contemporary Short Story
- The Craft of Fiction: In Search of Lost Time
- The Genre of the Sentence
- The Image Factory: A Poetry Workshop
- Truthiness Radio: From Tall-Tale Monologues to Radio Drama With Some Facts Mixed In
- Workshop in the Novel