Experiments in Language and Form
In this class, we focus on writing “experimental theatre.” That is, we experiment with theatrical forms that extend beyond traditional portrayals of time, three-dimensional space, language, character, and dramatic structure and discover the impact that different types of onstage presentations might have on audiences. We are not interested in “imitating” the style of “experimental” playwrights but, rather, using their texts as influence, stimulus, and encouragement as we attempt our own “experiments.” As we investigate various experimental playwrights—Beckett, Ionesco, Arrabal, Adrienne Kennedy—we will seek to ascertain the political, spiritual, psychological, and social elements that influenced the creation of their works. Our aim is, first and foremost, to investigate and explore ways to genuinely investigate and give theatrical expression to our own personal. political, and spiritual interior lives, values, observations, and beliefs. We will then strive to examine the most effective manner of communicating our theatrical experiments to an audience. Our “experimental writing” will include multimedia presentations as part of the scripted, onstage play or performance. This class meets twice a week.
MFA Theatre Program courses
- Acting Poetic Realism
- Acting Shakespeare
- Actors and Directors Studio
- Advanced Costume Conference
- Advanced Stage Combat
- Alexander Technique
- Auditioning
- Breathing Coordination for the Performer
- Building a Vocal Technique
- Close Up and Personal
- Comedy Workshop
- Contemporary Collaborative Performance: Grad Projects I
- Contemporary I for Dance and Theatre
- Costume Design I
- Costume Design II
- Creating a Role
- Design Elements I
- Design Elements II
- Design Techniques in Media and Animation
- Directing, Devising, and Performance
- Directing the 20th Century: From Chekhov to Churchill
- Directing Workshop
- DownStage
- Experiments in Language and Form
- Far-Off, Off-Off, Off, and On Broadway: Experiencing the 2012-2013 Theatre Season
- Global Theatre: The Syncretic Journey
- Grad Lab
- History and Histrionics
- Improvisation Laboratory
- Internship Conference
- Introduction to Stage Combat
- La MaMa E.T.C.
- Lighting Design I
- Lighting Design II
- New Musical Theatre Lab
- Making New Work
- Medley Playwriting Workshop: Developing the Dramatic Idea
- Methods of Theatre Outreach
- Movement for Performance
- Playwright’s Workshop
- Playwriting Techniques
- Production Workshop
- Projects
- Puppet Theatre: Bunraku-style
- Puppet Theatre: Marionette
- Puppet Theatre: Toy Theatre and Shadow Puppetry
- Scenic Design I
- Scenic Design II
- Singing Workshop
- SLC Lampoon
- Something Great is Coming: The American Musical
- Sound Design I and II
- Stage Management
- Actor’s Workshop
- The London Theatre Program (BADA)
- The Magic of Playwriting
- The Webisodics Project/Web Series Asylum
- Tools of the Trade
- Using the Performing Arts for Social Change
- Writers Gym
- Writing for Solo Performance