Contemporary Collaborative Performance: Grad Projects I
This course will provide a critical and supportive forum for the development of new works of original performance, focusing primarily on where current dance and theatre combinations find inspiration. In the first semester, students will explore contemporary theatre-building techniques and methodologies from Dada to Judson Church and beyond. The majority of time will be devoted to lab work, where students will create their own short performance pieces through a multidisciplinary approach. Students will be asked to devise original theatre pieces that utilize such methods as solo forms, viewpoints, chance operations, and creations from nontheatrical sources. In addition to the laboratory aspect to the class, a number of plays, essays, and artists’ manifestos will be discussed. In the second semester, students will collaborate on a single, evening-length work, utilizing theatrical and nontheatrical sources in an attempt to speak to our cultural moment. Please note: The second semester will require additional developmental/rehearsal time outside of class. In addition to class work, there will be several opportunities to visit rehearsals and performances of professional theatre and dance in New York City. This class meets once a week. Open to first-year graduate students only.
MFA Theatre Program courses
- Acting Poetic Realism
- Acting Shakespeare
- Actors and Directors Studio
- Advanced Costume Conference
- Advanced Stage Combat
- Alexander Technique
- Auditioning
- Breathing Coordination for the Performer
- Building a Vocal Technique
- Close Up and Personal
- Comedy Workshop
- Contemporary Collaborative Performance: Grad Projects I
- Contemporary I for Dance and Theatre
- Costume Design I
- Costume Design II
- Creating a Role
- Design Elements I
- Design Elements II
- Design Techniques in Media and Animation
- Directing, Devising, and Performance
- Directing the 20th Century: From Chekhov to Churchill
- Directing Workshop
- DownStage
- Experiments in Language and Form
- Far-Off, Off-Off, Off, and On Broadway: Experiencing the 2012-2013 Theatre Season
- Global Theatre: The Syncretic Journey
- Grad Lab
- History and Histrionics
- Improvisation Laboratory
- Internship Conference
- Introduction to Stage Combat
- La MaMa E.T.C.
- Lighting Design I
- Lighting Design II
- New Musical Theatre Lab
- Making New Work
- Medley Playwriting Workshop: Developing the Dramatic Idea
- Methods of Theatre Outreach
- Movement for Performance
- Playwright’s Workshop
- Playwriting Techniques
- Production Workshop
- Projects
- Puppet Theatre: Bunraku-style
- Puppet Theatre: Marionette
- Puppet Theatre: Toy Theatre and Shadow Puppetry
- Scenic Design I
- Scenic Design II
- Singing Workshop
- SLC Lampoon
- Something Great is Coming: The American Musical
- Sound Design I and II
- Stage Management
- Actor’s Workshop
- The London Theatre Program (BADA)
- The Magic of Playwriting
- The Webisodics Project/Web Series Asylum
- Tools of the Trade
- Using the Performing Arts for Social Change
- Writers Gym
- Writing for Solo Performance