Literature
Literature at Sarah Lawrence College is a disciplined and cross-disciplinary study founded on the belief that reflective attention to a variety of fictions can lead to deeper insight into the truths of self and society. Among the goals of the discipline: to strengthen critical skills; widen cultural literacy; refine writing, discussion, speaking, and research skills; and open students to engagement with the concerns of other disciplines—including history, philosophy, political science, psychology, religion, and anthropology—as they emerge within literature’s rich discourse.
Curricular offerings include core American and European texts but range widely through world literature—African, Asian, and Latin American. Courses may be broadly organized around a historical period (for example, the Middle Ages or the 17th century) or around a genre (comedy, autobiography, the novel), or they may combine historical and generic concerns (ancient Greek theatre, 20th-century American poetry). Some courses are devoted to the study of a single author, such as Chaucer or Virginia Woolf, or to a particular thematic or critical goal: examining ideas of culture since the Enlightenment, exploring postcolonial revisions to classics of the Western canon, or developing an inclusive approach to American literature that includes African American and Native American texts along with more traditional works. Throughout the Literature curriculum, meeting with faculty members in regularly scheduled conferences allows students to individualize their course work, to combine it with other disciplines, where appropriate, and to write with the deep understanding that can only result from intense, guided study.
Literature courses
- Abbreviated Wisdom: How the Short Story Works
- Acting Up: Theatre and Theatricality in 18th-Century England
- African American Literature: Constructing Racial Selves and Others
- After Eve: Medieval Women
- Dostoevsky and the Age of Positivism
- Eight American Poets
- 18th-Century Women of Letters
- Empire of Letters: Mapping the Arts and the World in the Age of Johnson
- Epic Vision and Tradition from the Odyssey to Walcott's Omeros
- First-Year Studies: Amid the Tears and Laughter: The Political Art of Ancient Greek Tragedy and Comedy
- First-Year Studies: Autobiography in Literature: Self/Life/Writing
- First-Year Studies: Calles y Plaza Antigua: The Country and the City in Literature and Film
- First Year Studies in History and Literature: The Two World Wars of the Twentieth Century
- First-Year Studies in Literature
- First-Year Studies: Japanese Literature: Ancient Myths to Contemporary Fiction
- First-Year Studies: Modern Myths of Paris
- First-Year Studies: The Three Crowns of Florence: Dante, Petrarch, Boccaccio and the Beginnings of Modern
- Green Romanticisms
- Literary London
- Lorca’s World: From Granada to New York, Literature in Translation
- Modernism and Fiction
- New Media Literacies
- “New” World Literatures: Fictions of the Yard
- New World Studies: Maroons, Rebels, and Pirates of the Caribbean
- Romantic Poetry and Its Consequences
- Seventeenth-Century English Literature: Tradition and Transformation
- Sex in the Machine
- Small Circle of Friends: A Topic in Renaissance Literature
- Studies in the 19th-Century Novel
- The Forms and Logic of Comedy
- The Greco-Roman World: Its Origins, Crises, Turning Points, and Final Transformations
- The Making of Modern Theatre: Ibsen and Chekhov
- The Nonfiction Essay: Writing the Literature of Fact, Journalism, and Beyond
- The Poetics and Politics of Translation
- The Poetry Book: Text and Design
- Typology of the Narrator
- Warriors, Rogues, and Women in Breeches: Adventurous Lives in Early Modern Transatlantic Literature: Literature in Translation