The Nonfiction Essay: Writing the Literature of Fact, Journalism, and Beyond
This is a writing course that aims to have students produce a series of nonfiction essays that reflect Tom Wolfe’s belief that it is “possible to write journalism that would read like a novel.” The reading that we do is designed to serve the writing that we do, which will both include and go beyond standard journalism. We will read a number of well-known nonfiction writers—among them, Tom Wolfe, Joan Didion, John McPhee, and Henry Louis Gates; but this course is not a history of the nonfiction essay. Assignments come with deadlines for drafts, rewrites, and final copy. The assignments are not “writing-class exercises” but, rather, the kinds of work that any editor would assign. A warning: This is not a course in “creative nonfiction” or covert autobiography. Accurate reporting is a non-negotiable starting and finishing point. The course will begin by emphasizing writing technique. And as we move on to longer assignments, our focus will be on the role that research, interviews, and legwork play in completing a story. Students should bring a writing sample to the interview and should not be taking another writing course.
Literature courses
- Abbreviated Wisdom: How the Short Story Works
- Acting Up: Theatre and Theatricality in 18th-Century England
- African American Literature: Constructing Racial Selves and Others
- After Eve: Medieval Women
- Declarations of Independence: American Literary Masterworks
- Dostoevsky and the Age of Positivism
- Eight American Poets
- 18th-Century Women of Letters
- Empire of Letters: Mapping the Arts and the World in the Age of Johnson
- Epic Vision and Tradition from the Odyssey to Walcott's Omeros
- First-Year Studies: Amid the Tears and Laughter: The Political Art of Ancient Greek Tragedy and Comedy
- First-Year Studies: Autobiography in Literature: Self/Life/Writing
- First-Year Studies: Calles y Plaza Antigua: The Country and the City in Literature and Film
- First Year Studies in History and Literature: The Two World Wars of the Twentieth Century
- First-Year Studies in Literature
- First-Year Studies: Japanese Literature: Ancient Myths to Contemporary Fiction
- First-Year Studies: Modern Myths of Paris
- First-Year Studies: The Three Crowns of Florence: Dante, Petrarch, Boccaccio and the Beginnings of Modern
- Green Romanticisms
- Literary London
- Lorca’s World: From Granada to New York, Literature in Translation
- Modernism and Fiction
- New Media Literacies
- “New” World Literatures: Fictions of the Yard
- New World Studies: Maroons, Rebels, and Pirates of the Caribbean
- Romantic Poetry and Its Consequences
- Seventeenth-Century English Literature: Tradition and Transformation
- Sex in the Machine
- Small Circle of Friends: A Topic in Renaissance Literature
- Studies in the 19th-Century Novel
- The Forms and Logic of Comedy
- The Greco-Roman World: Its Origins, Crises, Turning Points, and Final Transformations
- The Making of Modern Theatre: Ibsen and Chekhov
- The Nonfiction Essay: Writing the Literature of Fact, Journalism, and Beyond
- The Poetics and Politics of Translation
- The Poetry Book: Text and Design
- Typology of the Narrator
- Warriors, Rogues, and Women in Breeches: Adventurous Lives in Early Modern Transatlantic Literature: Literature in Translation