Literary London
In Canto Eleven of Don Juan, Byron’s hapless hero stands on a hill outside London, enthusiastically meditating upon the splendid freedoms of the city before him: “Here laws are all inviolate; none lay / Traps for the traveller; every highway’s clear: / Here—’, he was interrupted by a knife, / With,—‘Damn your eyes! Your money or your life!’” Here, one might add, comic reversal works though the brilliant compression of real and ideal images of Britain’s capital city. This course reads London as it appears in 19th-century British literature. In novels, poems, essays, and plays, we explore the city as, at once, an origin and object of English language print culture. How did Victorian-era Londoners see their city? How is the density of urban life represented in the written word? Among the topics we will explore are: the city as fantasy, the city as nightmare; consumerism, crowds, caricatures; the development of literary criticism; theatre, opium, the street; dandies and bluestockings, streetwalkers and street-sweepers; anarchists; manners and the law; the black city, the gay city; “flash,” Polari, cant, and Cockney rhyming slang; and, finally, 19th-century London in retrospect. Possible authors: William Blake, Ignatius Sancho, Lord Byron, Mary Robinson, Thomas De Quincey, William Hazlitt, William Makepeace Thackeray, Charles Dickens, Henry Mayhew, Robert Louis Stevenson, Henry James, Bernard Shaw, Oscar Wilde, Joseph Conrad, and Virginia Woolf.
Literature courses
- Abbreviated Wisdom: How the Short Story Works
- Acting Up: Theatre and Theatricality in 18th-Century England
- African American Literature: Constructing Racial Selves and Others
- After Eve: Medieval Women
- Declarations of Independence: American Literary Masterworks
- Dostoevsky and the Age of Positivism
- Eight American Poets
- 18th-Century Women of Letters
- Empire of Letters: Mapping the Arts and the World in the Age of Johnson
- Epic Vision and Tradition from the Odyssey to Walcott's Omeros
- First-Year Studies: Amid the Tears and Laughter: The Political Art of Ancient Greek Tragedy and Comedy
- First-Year Studies: Autobiography in Literature: Self/Life/Writing
- First-Year Studies: Calles y Plaza Antigua: The Country and the City in Literature and Film
- First Year Studies in History and Literature: The Two World Wars of the Twentieth Century
- First-Year Studies in Literature
- First-Year Studies: Japanese Literature: Ancient Myths to Contemporary Fiction
- First-Year Studies: Modern Myths of Paris
- First-Year Studies: The Three Crowns of Florence: Dante, Petrarch, Boccaccio and the Beginnings of Modern
- Green Romanticisms
- Literary London
- Lorca’s World: From Granada to New York, Literature in Translation
- Modernism and Fiction
- New Media Literacies
- “New” World Literatures: Fictions of the Yard
- New World Studies: Maroons, Rebels, and Pirates of the Caribbean
- Romantic Poetry and Its Consequences
- Seventeenth-Century English Literature: Tradition and Transformation
- Sex in the Machine
- Small Circle of Friends: A Topic in Renaissance Literature
- Studies in the 19th-Century Novel
- The Forms and Logic of Comedy
- The Greco-Roman World: Its Origins, Crises, Turning Points, and Final Transformations
- The Making of Modern Theatre: Ibsen and Chekhov
- The Nonfiction Essay: Writing the Literature of Fact, Journalism, and Beyond
- The Poetics and Politics of Translation
- The Poetry Book: Text and Design
- Typology of the Narrator
- Warriors, Rogues, and Women in Breeches: Adventurous Lives in Early Modern Transatlantic Literature: Literature in Translation