First-Year Studies in Literature
The intention of this course is to introduce the student to some of the critical approaches that can be made to a literary text—the questions that can be asked about language, style, structure, genre, historical background, archetypal pattern, and the connections that can be made among these approaches. However, the main emphasis of the course will be on the relationship between literature and society, and we will consider some of the ways in which imaginative works (and the ways they are interpreted) reflect problematic social realities and also present visions of alternative social possibility. The course will open with a study of a few Greek and Shakespearean plays, and much of the rest of the year will be given to readings in a group of nineteenth- and twentieth-century novelists, poets, and dramatists in an attempt to see how different imaginative strategies deal with certain recurring themes and problems. Authors read will include Blake, Austen, Dickens, Dostoevski, Emily Brontë, Melville, Flaubert, James, T.S. Eliot, Kafka, Mann, Brecht, Pynchon, and Morrison.
Literature courses
- Abbreviated Wisdom: How the Short Story Works
- Acting Up: Theatre and Theatricality in 18th-Century England
- African American Literature: Constructing Racial Selves and Others
- After Eve: Medieval Women
- Declarations of Independence: American Literary Masterworks
- Dostoevsky and the Age of Positivism
- Eight American Poets
- 18th-Century Women of Letters
- Empire of Letters: Mapping the Arts and the World in the Age of Johnson
- Epic Vision and Tradition from the Odyssey to Walcott's Omeros
- First-Year Studies: Amid the Tears and Laughter: The Political Art of Ancient Greek Tragedy and Comedy
- First-Year Studies: Autobiography in Literature: Self/Life/Writing
- First-Year Studies: Calles y Plaza Antigua: The Country and the City in Literature and Film
- First Year Studies in History and Literature: The Two World Wars of the Twentieth Century
- First-Year Studies in Literature
- First-Year Studies: Japanese Literature: Ancient Myths to Contemporary Fiction
- First-Year Studies: Modern Myths of Paris
- First-Year Studies: The Three Crowns of Florence: Dante, Petrarch, Boccaccio and the Beginnings of Modern
- Green Romanticisms
- Literary London
- Lorca’s World: From Granada to New York, Literature in Translation
- Modernism and Fiction
- New Media Literacies
- “New” World Literatures: Fictions of the Yard
- New World Studies: Maroons, Rebels, and Pirates of the Caribbean
- Romantic Poetry and Its Consequences
- Seventeenth-Century English Literature: Tradition and Transformation
- Sex in the Machine
- Small Circle of Friends: A Topic in Renaissance Literature
- Studies in the 19th-Century Novel
- The Forms and Logic of Comedy
- The Greco-Roman World: Its Origins, Crises, Turning Points, and Final Transformations
- The Making of Modern Theatre: Ibsen and Chekhov
- The Nonfiction Essay: Writing the Literature of Fact, Journalism, and Beyond
- The Poetics and Politics of Translation
- The Poetry Book: Text and Design
- Typology of the Narrator
- Warriors, Rogues, and Women in Breeches: Adventurous Lives in Early Modern Transatlantic Literature: Literature in Translation