First Year Studies in History and Literature: The Two World Wars of the Twentieth Century
This course will examine World War I and World War II, two vast and savage armed conflicts that shaped the 20th century. We shall spend a year studying these two wars and some of the literature that they produced for two reasons: These wars were among the decisive shaping forces of our civilization; and war is intrinsically, if horrifically, fascinating, calling forth some of the best, as well as much of the worst, in human beings. World War I, generally understood as the ghastly collision of the Industrial Revolution with a nationalist state system, ended with the destruction of three empires. It produced new and starkly violent regimes, preeminently Communist Russia, Nazi Germany, and Fascist Italy; and it produced an immensely influential antiwar literary response, which has shaped politics down to our own day. World War II destroyed two of these polities and gave a long lease on life to the third of them. It inaugurated the Cold War that dominated world politics for most of the latter half of the 20th century. It doomed the European imperialism that had formally subjected almost the whole of the non-European world over the preceding centuries. And it produced the modern United States as the world’s first hyperpower. These wars, which made our political and cultural world and shattered its predecessor, are thus profoundly worth our understanding. The course will begin by describing the world destroyed by World War I and then assess the causes, courses, literature, and consequences of both world wars. We shall examine the experience of war for individuals, states, economies, and societies. These wars transformed everything they touched, and they touched everything. We shall look at them through the various optics of political history, literature, film, economic history, military history, cultural history, and social history.
Literature courses
- Abbreviated Wisdom: How the Short Story Works
- Acting Up: Theatre and Theatricality in 18th-Century England
- African American Literature: Constructing Racial Selves and Others
- After Eve: Medieval Women
- Declarations of Independence: American Literary Masterworks
- Dostoevsky and the Age of Positivism
- Eight American Poets
- 18th-Century Women of Letters
- Empire of Letters: Mapping the Arts and the World in the Age of Johnson
- Epic Vision and Tradition from the Odyssey to Walcott's Omeros
- First-Year Studies: Amid the Tears and Laughter: The Political Art of Ancient Greek Tragedy and Comedy
- First-Year Studies: Autobiography in Literature: Self/Life/Writing
- First-Year Studies: Calles y Plaza Antigua: The Country and the City in Literature and Film
- First Year Studies in History and Literature: The Two World Wars of the Twentieth Century
- First-Year Studies in Literature
- First-Year Studies: Japanese Literature: Ancient Myths to Contemporary Fiction
- First-Year Studies: Modern Myths of Paris
- First-Year Studies: The Three Crowns of Florence: Dante, Petrarch, Boccaccio and the Beginnings of Modern
- Green Romanticisms
- Literary London
- Lorca’s World: From Granada to New York, Literature in Translation
- Modernism and Fiction
- New Media Literacies
- “New” World Literatures: Fictions of the Yard
- New World Studies: Maroons, Rebels, and Pirates of the Caribbean
- Romantic Poetry and Its Consequences
- Seventeenth-Century English Literature: Tradition and Transformation
- Sex in the Machine
- Small Circle of Friends: A Topic in Renaissance Literature
- Studies in the 19th-Century Novel
- The Forms and Logic of Comedy
- The Greco-Roman World: Its Origins, Crises, Turning Points, and Final Transformations
- The Making of Modern Theatre: Ibsen and Chekhov
- The Nonfiction Essay: Writing the Literature of Fact, Journalism, and Beyond
- The Poetics and Politics of Translation
- The Poetry Book: Text and Design
- Typology of the Narrator
- Warriors, Rogues, and Women in Breeches: Adventurous Lives in Early Modern Transatlantic Literature: Literature in Translation