First-Year Studies: Amid the Tears and Laughter: The Political Art of Ancient Greek Tragedy and Comedy
Twenty-five hundred years ago, the Greeks began a 200-year experiment in democratic government. Considerably less democratic than the modern United States, ancient Athens was also considerably more democratic. Like other political systems throughout the world and (until only very recently) throughout history, the Athenian democracy excluded women, slaves, and foreigners from political participation. At the same time, it embodied the ideals and consequences of direct democracy. Many issues confronted by Athenian society during the fifth-century BCE remain powerful questions in our own time: How do you safeguard democratic liberties against tyrannical violence and intimidation from within and from without? How do you balance the needs of the individual with the needs of the group? How do you promote individual achievement that benefits rather than harms the community as a whole? How do you reconcile the ethical demands of democracy with the political necessities of foreign policy? What is the function of “entertainment” in a democratic society? We will examine the crucial role of tragedy and comedy in transmitting, challenging, and shaping Athenian values throughout the fifth-century BCE. Above all, we will consider the implications and insights that these plays continue to offer 21st-century audiences. Students will read works of Aeschylus, Sophocles, Euripides, Aristophanes, and Aristotle in translation.
Literature courses
- Abbreviated Wisdom: How the Short Story Works
- Acting Up: Theatre and Theatricality in 18th-Century England
- African American Literature: Constructing Racial Selves and Others
- After Eve: Medieval Women
- Declarations of Independence: American Literary Masterworks
- Dostoevsky and the Age of Positivism
- Eight American Poets
- 18th-Century Women of Letters
- Empire of Letters: Mapping the Arts and the World in the Age of Johnson
- Epic Vision and Tradition from the Odyssey to Walcott's Omeros
- First-Year Studies: Amid the Tears and Laughter: The Political Art of Ancient Greek Tragedy and Comedy
- First-Year Studies: Autobiography in Literature: Self/Life/Writing
- First-Year Studies: Calles y Plaza Antigua: The Country and the City in Literature and Film
- First Year Studies in History and Literature: The Two World Wars of the Twentieth Century
- First-Year Studies in Literature
- First-Year Studies: Japanese Literature: Ancient Myths to Contemporary Fiction
- First-Year Studies: Modern Myths of Paris
- First-Year Studies: The Three Crowns of Florence: Dante, Petrarch, Boccaccio and the Beginnings of Modern
- Green Romanticisms
- Literary London
- Lorca’s World: From Granada to New York, Literature in Translation
- Modernism and Fiction
- New Media Literacies
- “New” World Literatures: Fictions of the Yard
- New World Studies: Maroons, Rebels, and Pirates of the Caribbean
- Romantic Poetry and Its Consequences
- Seventeenth-Century English Literature: Tradition and Transformation
- Sex in the Machine
- Small Circle of Friends: A Topic in Renaissance Literature
- Studies in the 19th-Century Novel
- The Forms and Logic of Comedy
- The Greco-Roman World: Its Origins, Crises, Turning Points, and Final Transformations
- The Making of Modern Theatre: Ibsen and Chekhov
- The Nonfiction Essay: Writing the Literature of Fact, Journalism, and Beyond
- The Poetics and Politics of Translation
- The Poetry Book: Text and Design
- Typology of the Narrator
- Warriors, Rogues, and Women in Breeches: Adventurous Lives in Early Modern Transatlantic Literature: Literature in Translation