Dostoevsky and the Age of Positivism
“Once it’s proved to you, for example, that you are descended from an ape, there’s no use making a wry face; just take it for what it is,” the Underground Man tells us. Lebeziatnikov attempts to educate the prostitute, Sonia, by lending her a copy of G.H. Lewes’s The Physiology of Common Life. Ivan Karamazov rejects non-Euclidean geometry, while his brother Dmitri worries that chemistry will displace God: “Move over a little, Your Reverence, there’s no help for it, chemistry’s coming!” This one-semester course will frame a rich and multifaceted reading of Notes from Underground, Crime and Punishment, and The Brothers Karamazov with an exploration of Dostoevsky’s complicated relationship to the newly emerging science of his day. We will consider Dostoevsky’s response in the context of the very many of his contemporaries also engaged in a new discourse of science, including Dostoevsky’s main ideological opponent, Nikolai Chernyshevsky, as well as writers whose more nuanced approach shaped Dostoevsky’s own: Balzac, Poe, Wilkie Collins, and George Eliot in Middlemarch. Finally, we will read some of the scientists and science writers whose works both influenced and were influenced by 19th-century European literature, including Darwin, Comte, the French physiologist Claude Bernard, and G.H. Lewes—not just a favorite of the fictional Lebeziatnikov but also the common-law husband of the real George Eliot.
Literature courses
- Abbreviated Wisdom: How the Short Story Works
- Acting Up: Theatre and Theatricality in 18th-Century England
- African American Literature: Constructing Racial Selves and Others
- After Eve: Medieval Women
- Declarations of Independence: American Literary Masterworks
- Dostoevsky and the Age of Positivism
- Eight American Poets
- 18th-Century Women of Letters
- Empire of Letters: Mapping the Arts and the World in the Age of Johnson
- Epic Vision and Tradition from the Odyssey to Walcott's Omeros
- First-Year Studies: Amid the Tears and Laughter: The Political Art of Ancient Greek Tragedy and Comedy
- First-Year Studies: Autobiography in Literature: Self/Life/Writing
- First-Year Studies: Calles y Plaza Antigua: The Country and the City in Literature and Film
- First Year Studies in History and Literature: The Two World Wars of the Twentieth Century
- First-Year Studies in Literature
- First-Year Studies: Japanese Literature: Ancient Myths to Contemporary Fiction
- First-Year Studies: Modern Myths of Paris
- First-Year Studies: The Three Crowns of Florence: Dante, Petrarch, Boccaccio and the Beginnings of Modern
- Green Romanticisms
- Literary London
- Lorca’s World: From Granada to New York, Literature in Translation
- Modernism and Fiction
- New Media Literacies
- “New” World Literatures: Fictions of the Yard
- New World Studies: Maroons, Rebels, and Pirates of the Caribbean
- Romantic Poetry and Its Consequences
- Seventeenth-Century English Literature: Tradition and Transformation
- Sex in the Machine
- Small Circle of Friends: A Topic in Renaissance Literature
- Studies in the 19th-Century Novel
- The Forms and Logic of Comedy
- The Greco-Roman World: Its Origins, Crises, Turning Points, and Final Transformations
- The Making of Modern Theatre: Ibsen and Chekhov
- The Nonfiction Essay: Writing the Literature of Fact, Journalism, and Beyond
- The Poetics and Politics of Translation
- The Poetry Book: Text and Design
- Typology of the Narrator
- Warriors, Rogues, and Women in Breeches: Adventurous Lives in Early Modern Transatlantic Literature: Literature in Translation