African American Literature: Constructing Racial Selves and Others
This yearlong lecture will examine pivotal moments and texts in the history of African American letters, ranging from Olaudah Equiano’s Interesting Narrative (1789) to Saul Williams’s The Dead Emcee Scrolls (2006). Working our way through a variety of genres (elegy, drama, the captivity narrative, the slave narrative, the essay, public oratory, speeches, fiction, poetry, drama, polemical prose, autobiography, music, and film), we will explore a number of matters pertinent to literary studies in general, as well as those with specific implications for African American writing and writers. We will consider the circumstances of textual production and reception, ideas and ideologies of literary history and culture, aesthetics, authorship, and audience. We will focus our attention immediately on the emergence of African American writing under the regime of chattel slavery and the questions it poses about “race,” “authorship,” “subjectivity,” “self-mastery,” and “freedom.” We will consider the material and social conditions under which our selected texts were edited, published, marketed, and “authenticated.” Our ultimate aim is to situate our selections within the broadest possible contexts of their time and ours. We will also focus on the changing notions of racial identification in the 20th and 21st centuries, addressing how the wide array of genres shape and are shaped by pivotal cultural and political movements such as the “New Negro,” the Harlem Renaissance, Civil Rights, Black Arts/Black Power, and Womanism, as well as current debates over matters such as hip hop, same-sexuality, incarceration, and “premature death.” Also, we will examine how the texts deal with recent questions about Black identities and subjectivities that get funneled through notions of a postrace and/or postethnic (international) society. Some authors whom we might study include, but are not limited to, Thomas Jefferson, David Walker, Frederick Douglass, Harriet Wilson, Anna Julia Cooper, Charles Chesnutt, Booker T. Washington, Jean Toomer, W.E.B. Du Bois, Nella Larsen, Langston Hughes, Zora Neal Hurston, Richard Wright, Ralph Ellison, James Baldwin, Lorraine Hansberry, Margaret Walker, Amiri Baraka, Huey Newton, Sonya Sanchez, Carolyn Rodgers, Alice Walker, Toni Morrison, and Audre Lorde.
Literature courses
- Abbreviated Wisdom: How the Short Story Works
- Acting Up: Theatre and Theatricality in 18th-Century England
- African American Literature: Constructing Racial Selves and Others
- After Eve: Medieval Women
- Declarations of Independence: American Literary Masterworks
- Dostoevsky and the Age of Positivism
- Eight American Poets
- 18th-Century Women of Letters
- Empire of Letters: Mapping the Arts and the World in the Age of Johnson
- Epic Vision and Tradition from the Odyssey to Walcott's Omeros
- First-Year Studies: Amid the Tears and Laughter: The Political Art of Ancient Greek Tragedy and Comedy
- First-Year Studies: Autobiography in Literature: Self/Life/Writing
- First-Year Studies: Calles y Plaza Antigua: The Country and the City in Literature and Film
- First Year Studies in History and Literature: The Two World Wars of the Twentieth Century
- First-Year Studies in Literature
- First-Year Studies: Japanese Literature: Ancient Myths to Contemporary Fiction
- First-Year Studies: Modern Myths of Paris
- First-Year Studies: The Three Crowns of Florence: Dante, Petrarch, Boccaccio and the Beginnings of Modern
- Green Romanticisms
- Literary London
- Lorca’s World: From Granada to New York, Literature in Translation
- Modernism and Fiction
- New Media Literacies
- “New” World Literatures: Fictions of the Yard
- New World Studies: Maroons, Rebels, and Pirates of the Caribbean
- Romantic Poetry and Its Consequences
- Seventeenth-Century English Literature: Tradition and Transformation
- Sex in the Machine
- Small Circle of Friends: A Topic in Renaissance Literature
- Studies in the 19th-Century Novel
- The Forms and Logic of Comedy
- The Greco-Roman World: Its Origins, Crises, Turning Points, and Final Transformations
- The Making of Modern Theatre: Ibsen and Chekhov
- The Nonfiction Essay: Writing the Literature of Fact, Journalism, and Beyond
- The Poetics and Politics of Translation
- The Poetry Book: Text and Design
- Typology of the Narrator
- Warriors, Rogues, and Women in Breeches: Adventurous Lives in Early Modern Transatlantic Literature: Literature in Translation