The Nonfiction Essay: Writing the Literature of Fact, Journalism, and Beyond
This is a writing course that aims to have students produce a series of nonfiction essays that reflect Tom Wolfe’s belief that it is “possible to write journalism that would read like a novel.” The reading we do is designed to serve the writing we do, which will both include and go beyond standard journalism. We will read a number of well-known nonfiction writers—among them, Tom Wolfe, Joan Didion, John McPhee, and Henry Louis Gates; but this course is not a history of the nonfiction essay. Assignments come with deadlines for drafts, rewrites, and final copy. The assignments are not “writing-class exercises” but the kinds of work any editor would give out. A warning: This is not a course in “creative nonfiction” or covert autobiography. Accurate reporting is a non-negotiable starting and finishing point. The course will begin by emphasizing writing technique. And as we move on to longer assignments, our focus will be on the role that research, interviews, and legwork play in completing a story. Students should bring a writing sample to the interview and should not be taking another writing course.
Literature courses
- American Stages: The Evolution of Theatre in the United States
- An Introduction to Shakespeare
- Culture Wars: Literature and the Politics of Culture Since the Late-19th Century
- Declarations of Independence: American Literary Masterworks
- Defiant Acts: Hispanic Theatre in Translation
- Dream Books: Irrationality in British Literature, 1790-1900
- East-West: Asian American Literature in a Transnational Context
- Elective Affinities in American Poetry
- First-Year Studies: 20th-Century Italian Literature
- First-Year Studies: Contemporary Africa Literatures: Against the Single Story of Things Fall Apart
- First-Year Studies: Mythology in Literature
- First-Year Studies: Romantic Poetry and Its Legacies
- First-Year Studies: Fops, Coquettes, and the Masquerade: Fashioning Gender and Courtship from Shakespeare to Austen
- Gloriana: Elizabeth I in Literature and the Arts
- Hispanic Literature in Translation: A Course on Spanish and Latin American Theatre
- History Plays
- How Stories Define Us: Greek Myths and the Invention of Democracy
- Issues in Comparative Literary Studies
- Memory, Memorialization, and Writing
- Milton, Blake, and the Bible
- Modernism and Fiction
- Odyssey/Hamlet/Ulysses
- Politics of Affect: Postcolonial and Feminist Literature and Film
- Reason and Revolution, Satire and the City: Literature and Social Change in the Age of Swift
- Shakespeare and Company
- Spirits and the Supernatural in Japanese Literature
- Studies in the 19th-Century Novel
- The Greco-Roman World: Its Origins, Crises, Turning Points, and Final Transformations
- The Music of What Happens: Alternate Histories and Counterfactuals
- The New Life: Poetry of Transformation
- The Nonfiction Essay: Writing the Literature of Fact, Journalism, and Beyond
- 20th-Century British Literature
- Writing Warrior (Wo)men: Mothering, Movements and Migration in Black Literature