Memory, Memorialization, and Writing
Memory—and the associative terms recall, recollection, remembrance, and memorialization—are an intrinsic part of human intelligence and experience and, as such, inseparable from the act of writing. Indeed, the prevailing model of memory in Western thought, from the pre-Socratics through modernity, is the impressing of an imprint or the incising of a mark or figure on the waxy surface of the mind or psyche. This model of how and why we remember will serve as our point of departure, aiding us in identifying the multiple ways in which the past, as both shared and contested space, comes to bear its imprint on present consciousness. Through literary and philosophical texts, this course will explore contemporary culture’s preoccupation with memory and memorializing, with special emphasis on the literary interplay between personal and collective memory and the relation between history and memory. We shall consider memory as an index of identity, a signifying practice, and an interpretive reconstruction whose wide-ranging implications extend beyond the private into the public realm, addressing how narrative conventions, cultural assumptions, political investments, and social contexts of commemoration affect both remembering and forgetting. Among the authors to be included are Freud, Benjamin, Proust, Nabokov, Borges, Christa Wolf. Some suggested directions for conference work: intersections between memory studies and cognitive studies, photography, archives, monuments, and narratives of intergenerational transmission.
Literature courses
- American Stages: The Evolution of Theatre in the United States
- An Introduction to Shakespeare
- Culture Wars: Literature and the Politics of Culture Since the Late-19th Century
- Declarations of Independence: American Literary Masterworks
- Defiant Acts: Hispanic Theatre in Translation
- Dream Books: Irrationality in British Literature, 1790-1900
- East-West: Asian American Literature in a Transnational Context
- Elective Affinities in American Poetry
- First-Year Studies: 20th-Century Italian Literature
- First-Year Studies: Contemporary Africa Literatures: Against the Single Story of Things Fall Apart
- First-Year Studies: Mythology in Literature
- First-Year Studies: Romantic Poetry and Its Legacies
- First-Year Studies: Fops, Coquettes, and the Masquerade: Fashioning Gender and Courtship from Shakespeare to Austen
- Gloriana: Elizabeth I in Literature and the Arts
- Hispanic Literature in Translation: A Course on Spanish and Latin American Theatre
- History Plays
- How Stories Define Us: Greek Myths and the Invention of Democracy
- Issues in Comparative Literary Studies
- Memory, Memorialization, and Writing
- Milton, Blake, and the Bible
- Modernism and Fiction
- Odyssey/Hamlet/Ulysses
- Politics of Affect: Postcolonial and Feminist Literature and Film
- Reason and Revolution, Satire and the City: Literature and Social Change in the Age of Swift
- Shakespeare and Company
- Spirits and the Supernatural in Japanese Literature
- Studies in the 19th-Century Novel
- The Greco-Roman World: Its Origins, Crises, Turning Points, and Final Transformations
- The Music of What Happens: Alternate Histories and Counterfactuals
- The New Life: Poetry of Transformation
- The Nonfiction Essay: Writing the Literature of Fact, Journalism, and Beyond
- 20th-Century British Literature
- Writing Warrior (Wo)men: Mothering, Movements and Migration in Black Literature