Declarations of Independence: American Literary Masterworks
On July 4, 1845, Henry Thoreau began spending his days and nights at Walden Pond. His declaration of independence from the America in which he was living epitomizes a tradition that goes to the heart of American literature. Time and again, America’s best writers have adapted the values of the American Revolution to their own times. In rebelling against religious orthodoxy, slavery, a market economy, the relegation of women to second-class citizens—to name just a few of their targets—America’s prose writers have produced a tradition at odds with the country but consistent with the spirit of the Founding Fathers. Declarations of Independence will focus on this tradition in terms of a series of American literary masterworks that feature the writing of Ralph Waldo Emerson, Henry Thoreau, Nathaniel Hawthorne, Herman Melville, Frederick Douglass, Mark Twain, Henry James, Edith Wharton, Willa Cather, Ernest Hemingway, F. Scott Fitzgerald, J.D. Salinger and Sylvia Plath. The course will look at the parallels between America’s writing and the contours of American history. Students will begin their conference work putting the classic 19th-century American novel into perspective by looking at the classic 19th-century British novel.
Literature courses
- American Stages: The Evolution of Theatre in the United States
- An Introduction to Shakespeare
- Culture Wars: Literature and the Politics of Culture Since the Late-19th Century
- Declarations of Independence: American Literary Masterworks
- Defiant Acts: Hispanic Theatre in Translation
- Dream Books: Irrationality in British Literature, 1790-1900
- East-West: Asian American Literature in a Transnational Context
- Elective Affinities in American Poetry
- First-Year Studies: 20th-Century Italian Literature
- First-Year Studies: Contemporary Africa Literatures: Against the Single Story of Things Fall Apart
- First-Year Studies: Mythology in Literature
- First-Year Studies: Romantic Poetry and Its Legacies
- First-Year Studies: Fops, Coquettes, and the Masquerade: Fashioning Gender and Courtship from Shakespeare to Austen
- Gloriana: Elizabeth I in Literature and the Arts
- Hispanic Literature in Translation: A Course on Spanish and Latin American Theatre
- History Plays
- How Stories Define Us: Greek Myths and the Invention of Democracy
- Issues in Comparative Literary Studies
- Memory, Memorialization, and Writing
- Milton, Blake, and the Bible
- Modernism and Fiction
- Odyssey/Hamlet/Ulysses
- Politics of Affect: Postcolonial and Feminist Literature and Film
- Reason and Revolution, Satire and the City: Literature and Social Change in the Age of Swift
- Shakespeare and Company
- Spirits and the Supernatural in Japanese Literature
- Studies in the 19th-Century Novel
- The Greco-Roman World: Its Origins, Crises, Turning Points, and Final Transformations
- The Music of What Happens: Alternate Histories and Counterfactuals
- The New Life: Poetry of Transformation
- The Nonfiction Essay: Writing the Literature of Fact, Journalism, and Beyond
- 20th-Century British Literature
- Writing Warrior (Wo)men: Mothering, Movements and Migration in Black Literature