The Poetry of Earth: Imagination and Environment in English Renaissance Poetry
One of John Keats’s sonnets begins, “The poetry of earth is never dead.” This course will step back from Keats to the writing of several of his great predecessors in the English Renaissance to reflect on how imagination shapes environment and environment shapes imagination in the early modern period. The late 16th and 17th centuries were a time of transition between traditional feudal society with its hierarchical ideas of order, of humanity, and of nature and emerging modernity with its secularizing humanism, its centralization of political and economic power, its development of increasingly dense and complex urban centers, and its commitments to the study and potential mastery of nature through empirical science. With early modernity come all the challenges to natural environment and its resources with which we are so familiar and by which we are so challenged: urban sprawl and environmental degradation, privatization of land, air and water pollution, deforestation and exhaustion of other resources, and diminishment of local species populations. We will study how several major writers register and respond to these tensions and these changes in what we might call their environmental vision, their imagination of nature: as wilderness, the “other” to civilization and its values, as chaos and threat, as liminal space of transformation, as pastoral retreat, as cultivatable human habitation and home. Class reading will include major works of Shakespeare, Edmund Spenser, John Milton, Andrew Marvell, and Margaret Cavendish. Conference work may entail more extended work in any of these writers or literary modes or other authors in the period who are engaged in theorizing and imagining nature and may include study in history, philosophy, geography, politics, or theory.
Literature courses
- African American Literature Survey (1789-2011)
- Allegories of Love
- American Literature 1830-1929
- Machines: A Critique of New Media
- Borges
- Conscience of the Nations: Classics of African Literature
- Creating New Blackness: The Expressions of the Harlem Renaissance
- Empire of Letters: Mapping the Arts and the World in the Age of Johnson
- English: History of a Language
- Epic: From Gilgamesh to Paradise Lost
- Experiment and Scandal: The 18th-Century British Novel
- First-Year Studies: Declarations of Independence: American Literary Masterworks, American Art
- First-Year Studies: Romanticism and Love
- First-Year Studies: Self/Life/Writing: Studies in Autobiography
- First-Year Studies: Utopia
- Global Intertextualities
- Green Romanticism
- Imagining Modernity: Literature and Society Since Romanticism
- Imagining War
- Literature in Translation: “Because We Know That Language Exists”: Roland Barthes and French Literature and Theory (1945-2011)
- Literature in Translation: Fantastic Gallery: 20th-Century Latin American Short Fiction
- Modernism and Fiction
- First-Year Studies: New Literature From Europe
- Nine American Poets
- Performing Gender and Power in the British 18th Century and Its Cinematic Legacy
- Romanticism to Modernism in Poetry
- Shakespeare and the Semiotics of Performance
- Slavery: A Literary History
- Spoken Wor(l)ds: African American Poetry From Black Arts to Hip Hop (1960-2012)
- Studies in the 19th-Century Novel
- The Age of Caesar
- The Greco-Roman World: Its Origins, Crises, Turning Points, and Final Transformations
- The Nonfiction Essay: Writing the Literature of Fact, Journalism, and Beyond
- The Poetry of Earth: Imagination and Environment in English Renaissance Poetry
- “Untied” Kingdom: British Literature Since 1945
- Who’s Afraid of James Joyce?

