First-Year Studies: New Literature From Europe
Perhaps more than anything else, literature defines the identity of cultures and nations. At the same time, few cultural manifestations help to bring together peoples and cultures as powerfully as literature, which gives a special significance to the fact that only three percent of the books published in the United States are translations. In a world where technology has made borders obsolete in many ways, the lack of curiosity for the great literatures of the world is an alarming symptom of North America´s cultural isolation. Starting with Latin America, all continents have an astonishing wealth of literatures. Europe is just one of them. The seat of ancient civilizations and empires that conquered the rest of the world, the Europe of today is dramatically different from what it once was. After two world wars and the collapse of formidable utopias, contemporary European reality is extraordinarily elusive and complex. Forty languages are spoken in almost as many European countries nowadays, each of them representing a vibrant body of literature. In this course, we will study the literary manifestations of the new Europe, paying special attention to her youngest authors. In our approach, we will focus on sociopolitical displacements such as the reshaping of the European identities, resulting from the influx of immigrants from all over the world, and the conflicts derived from the dream of a unity that coexists with the birth of a whole set of youthful countries that transcend the notion of nationality—ethnically, culturally, and linguistically.
Literature courses
- African American Literature Survey (1789-2011)
- Allegories of Love
- American Literature 1830-1929
- Machines: A Critique of New Media
- Borges
- Conscience of the Nations: Classics of African Literature
- Creating New Blackness: The Expressions of the Harlem Renaissance
- Empire of Letters: Mapping the Arts and the World in the Age of Johnson
- English: History of a Language
- Epic: From Gilgamesh to Paradise Lost
- Experiment and Scandal: The 18th-Century British Novel
- First-Year Studies: Declarations of Independence: American Literary Masterworks, American Art
- First-Year Studies: Romanticism and Love
- First-Year Studies: Self/Life/Writing: Studies in Autobiography
- First-Year Studies: Utopia
- Global Intertextualities
- Green Romanticism
- Imagining Modernity: Literature and Society Since Romanticism
- Imagining War
- Literature in Translation: “Because We Know That Language Exists”: Roland Barthes and French Literature and Theory (1945-2011)
- Literature in Translation: Fantastic Gallery: 20th-Century Latin American Short Fiction
- Modernism and Fiction
- First-Year Studies: New Literature From Europe
- Nine American Poets
- Performing Gender and Power in the British 18th Century and Its Cinematic Legacy
- Romanticism to Modernism in Poetry
- Shakespeare and the Semiotics of Performance
- Slavery: A Literary History
- Spoken Wor(l)ds: African American Poetry From Black Arts to Hip Hop (1960-2012)
- Studies in the 19th-Century Novel
- The Age of Caesar
- The Greco-Roman World: Its Origins, Crises, Turning Points, and Final Transformations
- The Nonfiction Essay: Writing the Literature of Fact, Journalism, and Beyond
- The Poetry of Earth: Imagination and Environment in English Renaissance Poetry
- “Untied” Kingdom: British Literature Since 1945
- Who’s Afraid of James Joyce?

