First-Year Studies: Self/Life/Writing: Studies in Autobiography
How does a self—the most intimate and elusive of concepts—become a text? What is the relationship between living a life and writing about it? What assumptions might authors and readers not share about the ways experience is endowed with symbolic value? For modernists and postmodernists particularly obsessed by the problems of identity and self-expression, the study of autobiography is a fascinating enterprise. This course is intended to introduce students to the autobiographical mode in literature. We will examine a rich variety of “life stories,” including memoirs, letters, and diaries that span from medieval times through the 21st century. Special attention will be paid to the following patterns and themes: the complex interplay between “truth” and “fiction,” sincerity and artifice, memory and representation; the nature of confessional writing; the use of autobiography as cultural document; and the role of gender in both the writing and reading of autobiographies. Among the authors to be included are St. Augustine, Kempe, Rousseau, Franklin, Douglass, Brent, Stein, Kafka, Nabokov, Wright, de Beauvoir, Sartre, Hurston, and Kingston. Students will submit one piece of autobiographical writing at the beginning of the course and will write short, frequent papers on the readings throughout the year.
Literature courses
- African American Literature Survey (1789-2011)
- Allegories of Love
- American Literature 1830-1929
- Machines: A Critique of New Media
- Borges
- Conscience of the Nations: Classics of African Literature
- Creating New Blackness: The Expressions of the Harlem Renaissance
- Empire of Letters: Mapping the Arts and the World in the Age of Johnson
- English: History of a Language
- Epic: From Gilgamesh to Paradise Lost
- Experiment and Scandal: The 18th-Century British Novel
- First-Year Studies: Declarations of Independence: American Literary Masterworks, American Art
- First-Year Studies: Romanticism and Love
- First-Year Studies: Self/Life/Writing: Studies in Autobiography
- First-Year Studies: Utopia
- Global Intertextualities
- Green Romanticism
- Imagining Modernity: Literature and Society Since Romanticism
- Imagining War
- Literature in Translation: “Because We Know That Language Exists”: Roland Barthes and French Literature and Theory (1945-2011)
- Literature in Translation: Fantastic Gallery: 20th-Century Latin American Short Fiction
- Modernism and Fiction
- First-Year Studies: New Literature From Europe
- Nine American Poets
- Performing Gender and Power in the British 18th Century and Its Cinematic Legacy
- Romanticism to Modernism in Poetry
- Shakespeare and the Semiotics of Performance
- Slavery: A Literary History
- Spoken Wor(l)ds: African American Poetry From Black Arts to Hip Hop (1960-2012)
- Studies in the 19th-Century Novel
- The Age of Caesar
- The Greco-Roman World: Its Origins, Crises, Turning Points, and Final Transformations
- The Nonfiction Essay: Writing the Literature of Fact, Journalism, and Beyond
- The Poetry of Earth: Imagination and Environment in English Renaissance Poetry
- “Untied” Kingdom: British Literature Since 1945
- Who’s Afraid of James Joyce?

