First-Year Studies: Romanticism and Love
For Percy Shelley, passionate love is the bond that connects us “with every thing which exists”; for Jane Austen, on the other hand, a heroine may lose her heart but not her self-control. It is generally known that Romanticism assigned high value to the emotion of love, but “love” has always been understood in many different ways. This course explores the multiple meanings of love as embodied in the literature of the Romantic period (1780-1830) and its long 19th-century afterglow. To what extent did Romantic attitudes toward desire reflect a reaction against Enlightenment rationality? How did the rise of the so-called companionate marriage change family life? Did the idealization of free love presage a new sexual politics—or simply reinforce the existing social order? Why did Romantic love so often emphasize cruelty and pain and impossible longing? We read poetry, fiction, drama, and polemical prose as a means of approaching such questions and of expanding our conversation, with works by Goethe, Blake, Coleridge, Austen, Keats, Byron, the Shelleys, Dickens, Brontë, Wilde, Stoppard, and others.
Literature courses
- African American Literature Survey (1789-2011)
- Allegories of Love
- American Literature 1830-1929
- Machines: A Critique of New Media
- Borges
- Conscience of the Nations: Classics of African Literature
- Creating New Blackness: The Expressions of the Harlem Renaissance
- Empire of Letters: Mapping the Arts and the World in the Age of Johnson
- English: History of a Language
- Epic: From Gilgamesh to Paradise Lost
- Experiment and Scandal: The 18th-Century British Novel
- First-Year Studies: Declarations of Independence: American Literary Masterworks, American Art
- First-Year Studies: Romanticism and Love
- First-Year Studies: Self/Life/Writing: Studies in Autobiography
- First-Year Studies: Utopia
- Global Intertextualities
- Green Romanticism
- Imagining Modernity: Literature and Society Since Romanticism
- Imagining War
- Literature in Translation: “Because We Know That Language Exists”: Roland Barthes and French Literature and Theory (1945-2011)
- Literature in Translation: Fantastic Gallery: 20th-Century Latin American Short Fiction
- Modernism and Fiction
- First-Year Studies: New Literature From Europe
- Nine American Poets
- Performing Gender and Power in the British 18th Century and Its Cinematic Legacy
- Romanticism to Modernism in Poetry
- Shakespeare and the Semiotics of Performance
- Slavery: A Literary History
- Spoken Wor(l)ds: African American Poetry From Black Arts to Hip Hop (1960-2012)
- Studies in the 19th-Century Novel
- The Age of Caesar
- The Greco-Roman World: Its Origins, Crises, Turning Points, and Final Transformations
- The Nonfiction Essay: Writing the Literature of Fact, Journalism, and Beyond
- The Poetry of Earth: Imagination and Environment in English Renaissance Poetry
- “Untied” Kingdom: British Literature Since 1945
- Who’s Afraid of James Joyce?

