Machines: A Critique of New Media
“Consider, if you will, Me++.” This seminar explores new ways of thinking about the self, society, art, life, politics, and the unconscious that have emerged through theories and practical experimentation with a loose assemblage of things that we call machines. Here, it is the assemblage, rather than the thing, that is to be understood as machinic. Machines invite us to think not about essences but about the event: “not about is but about and.” In this seminar, the notion of a machinic assemblage provides a framework for exploring how we engage with digital media today. In the way that Saussure’s discoveries in linguistics revolutionized the study of literature in the 20th century, it may be that today the study of digital media is reshaping our understanding of reading, writing, and interpretive practices. The interaction of text, image, graphics, and design in the digital work of art also requires creative re-examination of our aesthetic traditions. This seminar contextualizes these emerging forms of art practices within social, economic, political, and aesthetic theories that address the significance of cybernetics, computing, the Internet, and digital media in the contemporary world.
Literature courses
- African American Literature Survey (1789-2011)
- Allegories of Love
- American Literature 1830-1929
- Machines: A Critique of New Media
- Borges
- Conscience of the Nations: Classics of African Literature
- Creating New Blackness: The Expressions of the Harlem Renaissance
- Empire of Letters: Mapping the Arts and the World in the Age of Johnson
- English: History of a Language
- Epic: From Gilgamesh to Paradise Lost
- Experiment and Scandal: The 18th-Century British Novel
- First-Year Studies: Declarations of Independence: American Literary Masterworks, American Art
- First-Year Studies: Romanticism and Love
- First-Year Studies: Self/Life/Writing: Studies in Autobiography
- First-Year Studies: Utopia
- Global Intertextualities
- Green Romanticism
- Imagining Modernity: Literature and Society Since Romanticism
- Imagining War
- Literature in Translation: “Because We Know That Language Exists”: Roland Barthes and French Literature and Theory (1945-2011)
- Literature in Translation: Fantastic Gallery: 20th-Century Latin American Short Fiction
- Modernism and Fiction
- First-Year Studies: New Literature From Europe
- Nine American Poets
- Performing Gender and Power in the British 18th Century and Its Cinematic Legacy
- Romanticism to Modernism in Poetry
- Shakespeare and the Semiotics of Performance
- Slavery: A Literary History
- Spoken Wor(l)ds: African American Poetry From Black Arts to Hip Hop (1960-2012)
- Studies in the 19th-Century Novel
- The Age of Caesar
- The Greco-Roman World: Its Origins, Crises, Turning Points, and Final Transformations
- The Nonfiction Essay: Writing the Literature of Fact, Journalism, and Beyond
- The Poetry of Earth: Imagination and Environment in English Renaissance Poetry
- “Untied” Kingdom: British Literature Since 1945
- Who’s Afraid of James Joyce?

