Art History
The art history curriculum at Sarah Lawrence Collegecovers a broad territory historically, culturally, and methodologically. Students interested in art theory, social art history, or material culture have considerable flexibility in designing a program of study and in choosing conference projects that link artistic, literary, historical, social, philosophical, and other interests. Courses often include field trips to major museums, auction houses, and art galleries in New York City and the broader regional area, as well as to relevant screenings, performances, and architectural sites. Many students have extended their classroom work in art history through internships at museums and galleries, at nonprofit arts organizations, or with studio artists; through their own studio projects; or through advanced-level senior thesis work. Sarah Lawrence students have gone on to graduate programs in art history at Columbia, Johns Hopkins, Northwestern, Bard, Williams, Yale, University of Chicago, Oxford University and University of London, among others. Many of their classmates have pursued museum and curatorial work at organizations such as the Guggenheim Museum, the Metropolitan Museum of Art, and the Art Institute of Chicago; others have entered the art business by working at auction houses such as Sotheby’s or by starting their own galleries; and still others have entered such professions as nonprofit arts management and advocacy, media production, and publishing.
Art History courses
- A Paradox for Painters: Problems in Imitation, Expression, and Reflexivity in the 17th-Century European Painting
- Arts of the African Continent
- Arts of the Americas: The Continents Before Columbus and Cortés
- Beauty, Bridges, Boxes, and Brutes: “Modern” Architecture From 1750 to 1960
- “La Piu Grassa Minerva (Minerva in Her Fullness)” Theories of Art and Architecture From 1300 to 1600
- Making History of Non-Western Art History: Africa, Oceania, and the Americas
- Performance Art
- Problems By Design: Studies in the Theory and Practice of Contemporary Architecture
- The Fall of the Roman Empire
- The Greeks and their Neighbors: The Hellenization of the Mediterranean From the Homeric Age to Augustus
- Writing Contemporary Art

