Contemporary Curating: Art/Contexts
This seminar examines art made and exhibited since the mid-1990s. Analyzing works by artists, authors, and curators, students will study the artworks, critical debates, and exhibitions defining the contemporary moment. The seminar will entail frequent field trips to engage with contemporary art in context. We will conduct studio visits with artists, visit galleries and artist-run spaces showing new art, and discuss an exhibition alongside its curator. For a conference project, students will participate in the planning, installation, and presentation of an exhibition; work at an internship in a contemporary art institution; or work on an independent critical project focusing on contemporary art. Students will come away from the seminar able to identify and discuss major institutions and figures creating, exhibiting, discussing, selling, and collecting new art and to construct considered arguments assessing new artworks and tendencies. Besides current readings from periodicals—including Artforum, Contemporary Art Daily, Mousse, The New York Times, Parkett, Texte zur Kunst, and others—readings include: Doug Ashford, “The Exhibition as an Artistic Medium”; Pierre Bourdieu, “The Forms of Capital”; Claire Bishop, “Antagonism and Relational Aesthetics”; Nicolas Bourriaud, Relational Aesthetics; Douglas Crimp, “Pictures”; Andrea Fraser, “Why Does Fred Sandback’s Work Make Me Cry?”; Thelma Golden, “Black Male: Representations of Masculinity in Contemporary American Art”; Boris Groys “On the Curatorship”; Dave Hickey, Air Guitar (selections); Richard Hertz, Jack Goldstein and the Cal Arts Mafia; David Joselit, “Painting Beside Itself”; Maria Lind, “The Collaborative Turn”; Michael Sanchez, “Contemporary Art, Daily”; and Peter Schjeldahl, Let’s See (selections).