More or Less: Architectural Theory From Modern to Contemporary
Readings in this course will focus on major statements made by architects, critics, and philosophers dealing with the built landscape from 1900 to the present. Authors include Adolf Loos, Le Corbusier, Frank Lloyd Wright, Martin Heidegger, Michel Foucault, Jane Jacobs, Peter Eisenman, and Rem Koolhaas; readings will range from Ornament and Crime (1909) to Junkspace (2000) and beyond. Emphasis will be on close reading of texts, historical context for ideas, and buildings that are prescribed, described, or proscribed by theory in practice. The first assignment will deal with the uses of critical theory; the second will be a design project. Class will be broken into firms that will develop a response to particular architectural program and project—the design of a retrofitted student center and campus plan for Sarah Lawrence College.
Art History courses
- 20th-Century Texture: Mechanical Transcription of the Real
- Africa Contemporary: Art From 1950-Present
- Africa Global: Arts From Around the Atlantic
- Art and Myth in Ancient Greece
- ‘A Talent For Every Noble Thing’: Art and Architecture in Italy, 1300-1600
- First-Year Studies: Gods, Heroes, and Kings: Art and Power in the Ancient World
- From Colonial to Modern Art: Europe, Africa and the World
- Issues in Curating: The Interdisciplinary Exhibition
- Modern Art and Art Since 1945
- More or Less: Architectural Theory From Modern to Contemporary