Literature, Culture, and Politics in US History
This course is premised on a series of assumptions: First, that the public words and stories that Americans choose to tell have meaning; that they reflect ideas, concerns, presumptions, and intentions about their time period; that they do, intentionally and unintentionally, "political work” in revealing the world in the way that they do (i.e., that they work to reveal, shore up, modify, or change the power structure in some way). Second, this course assumes that you, the reader, have some sense of the backdrop to these stories (or that you will work to acquire one) and, hence, have some sense of how they reflect the material world that they seek to change. Novels, stories, memoirs, and critical essays all derive from a single vantage point, a positionality, and need to be understood as one voice in a larger conversation coming from a particular time and a particular place. Third, these readings are largely primary sources that are always paired with a secondary source chapter, article, or introduction. This pairing presumes a desire on your part to grapple with the material of this moment yourselves to write history, as well as to read it. Themes of particular significance will include the constructing of national identity, class and class consciousness, the experience and meaning of immigration, slavery and particularly race, and the political significance of gender and sexuality.
History courses
- 1919
- Art and the Sacred in Late Antiquity and the Middle Ages
- Based on a True Story? Latin American History Through Film
- Becoming Modern: Europe from 1760 to 1914
- Effort, Merit, Privilege
- Espionage in the 20th Century
- First-Year Studies: Inventing America: Cultural Encounters and American Identity, 1607-1877
- First-Year Studies: Place, Landscape, and Identity in the Middle East
- Global Africa: Theories and Cultures of Diaspora
- Imagining Race and Nation
- In Tolstoy’s Time
- Literature, Culture, and Politics in US History
- Popular Culture in the Modern Middle East
- Rethinking Malcolm X and the Black Arts Movement: Imagination and Power
- Romanesque: A Research Seminar in Religious and Secular Iconography, the Language of Artistic Forms, and Medieval History
- Sickness and Health in Africa
- The American Revolution and Its Legacy: From British to American Nationalism
- The Cold War in History and Film
- The Contemporary Practice of International Law
- The Cuban Revolution(s) from 1898 to Today
- The Disreputable 16th Century
- The Evolution of Humanitarian Law and Human Rights
- The Sixties
- Women, Culture, and Politics in US History
- Women and Gender in the Middle East
- Women/ Gender, Race and Sexuality in Film: History and Theory
- Women/Gender, Race and Sexuality in Film: History and Theory