Ideas of Africa: Africa Writes Back
The continent of Africa has been variously described as the birthplace of humanity, the Motherland, a country, a continent, and a heart of darkness. All of these descriptions reflect representations of Africa, but how accurately do they reflect reality? This course analyzes the intellectual history of ideas about Africa and argues that some ideas have an enduring shelf life—even when they have been consistently proven to be inaccurate. We will critically interrogate historical and anthropological studies, travelers’ accounts, media representations, and films created by non-Africans. However, we will also examine the critical responses by African philosophers, novelists, academics, artists, and journalists who have attempted to address these images.
History courses
- 1919
- Art and the Sacred in Late Antiquity and the Middle Ages
- Based on a True Story? Latin American History Through Film
- Becoming Modern: Europe from 1760 to 1914
- Effort, Merit, Privilege
- Espionage in the 20th Century
- First-Year Studies: Inventing America: Cultural Encounters and American Identity, 1607-1877
- First-Year Studies: Literature, Culture, and Politics in U.S. History, 1840s-2000s
- First-Year Studies: Place, Landscape, and Identity in the Middle East
- Gender, Education and Opportunity in Africa
- Global Africa: Theories and Cultures of Diaspora
- Ideas of Africa: Africa Writes Back
- Imagining Race and Nation
- In Tolstoy’s Time
- Popular Culture in the Modern Middle East
- Rethinking Malcolm X and the Black Arts Movement: Imagination and Power
- Romanesque: A Research Seminar in Religious and Secular Iconography, the Language of Artistic Forms, and Medieval History
- Sickness and Health in Africa
- The American Revolution and Its Legacy: From British to American Nationalism
- The Cold War in History and Film
- The Cuban Revolution(s) from 1898 to Today
- The Disreputable 16th Century
- The Sixties
- Women, Culture, and Politics in US History
- Women and Gender in the Middle East
- Women/ Gender, Race and Sexuality in Film: History and Theory