Based on a True Story? Latin American History Through Film
This course looks at critical historical moments and issues over five centuries of conflict and change in Latin America through the vehicle of film. The emphasis is on feature films created for a popular audience by Latin American directors (particularly from Brazil, Mexico, Argentina, and Cuba), with a few examples of how Latin America has been portrayed by filmmakers in Europe and the United States. We will look at issues of authenticity and voice, some of the pitfalls of using film to understand history, and at the role of cinema in the creation of national and popular memory. Although most of these films have been analyzed on many levels, the emphasis of this particular course will be on content and social or political vision rather than film theory, technique, or aesthetics. The topics or epochs that we will examine include: the encounter/conquest; slavery and race; colonial women; nationalism; dictatorship and the disappeared; El Norte—the United States and Latin America; urban indigeneity; revolution and power; revolution and culture wars; imperialism and globalization. Required readings will include historical monographs and primary sources, and one of the two weekly class meetings will be a film showing. There is no language prerequisite for this course; all films are available with English subtitles.
History courses
- 1919
- Art and the Sacred in Late Antiquity and the Middle Ages
- Based on a True Story? Latin American History Through Film
- Becoming Modern: Europe from 1760 to 1914
- Effort, Merit, Privilege
- Espionage in the 20th Century
- First-Year Studies: Inventing America: Cultural Encounters and American Identity, 1607-1877
- First-Year Studies: Place, Landscape, and Identity in the Middle East
- Global Africa: Theories and Cultures of Diaspora
- Imagining Race and Nation
- In Tolstoy’s Time
- Literature, Culture, and Politics in US History
- Popular Culture in the Modern Middle East
- Rethinking Malcolm X and the Black Arts Movement: Imagination and Power
- Romanesque: A Research Seminar in Religious and Secular Iconography, the Language of Artistic Forms, and Medieval History
- Sickness and Health in Africa
- The American Revolution and Its Legacy: From British to American Nationalism
- The Cold War in History and Film
- The Contemporary Practice of International Law
- The Cuban Revolution(s) from 1898 to Today
- The Disreputable 16th Century
- The Evolution of Humanitarian Law and Human Rights
- The Sixties
- Women, Culture, and Politics in US History
- Women and Gender in the Middle East
- Women/ Gender, Race and Sexuality in Film: History and Theory
- Women/Gender, Race and Sexuality in Film: History and Theory