Ideas of Africa: Africa Writes Back
The continent of Africa has been variously described as the birthplace of humanity, the Motherland, a country, a continent, and a heart of darkness. All of these descriptions reflect representations of Africa, but how accurately do they reflect reality? This course analyzes the intellectual history of ideas about Africa and argues that some ideas have an enduring shelf life—even when they have been consistently proven to be inaccurate. We will critically interrogate historical and anthropological studies, travelers’ accounts, media representations, and films created by non-Africans. However, we will also examine the critical responses by African philosophers, novelists, academics, artists, and journalists who have attempted to address these images.
History courses
- Activists and Intellectuals: A Cultural and Political History of Women in the United States, 1775-1975
- America in the Historical Imagination: American and European Perceptions of the ‘New World’
- Art and the Sacred in Late Antiquity and the Middle Ages
- Christianity and Classical Culture: An Enduring Theme in European Thought
- Cities of the Middle East
- First-Year Studies: Global Africa: Theories and Cultures of Diaspora
- First-Year Studies: The Age of the French Revolution
- History and the ‘Arab Spring’
- Hunger and Excess: Histories, Politics, and Cultures of Food
- Ideas of Africa: Africa Writes Back
- Rethinking Civil Rights History and the Origins of Black Power
- Rethinking the Racial Politics of the New Deal and the War on Poverty
- Revolutionary Women
- Sickness and Health in Africa
- The Caribbean and the Atlantic World
- The Contemporary Practice of International Law
- The Emergence of the Modern Middle East
- The Evolution of Humanitarian Law and Human Rights
- The ‘Losers’: Dissent and the Legacy of Defeat in American Politics From the American Revolution to the Civil War
- The Medieval Foundations of England
- 20th-Century Europe
- Visions/Revisions: Issues in Women’s History
- Women/Gender, Race, Class and Sexuality in Film: History and Feminist Film Theory