Writing India: Transnational Narratives

Sophomore and above—Fall

The global visibility of South Asian writers has changed the face of contemporary English literature. Many writers from the Indian subcontinent continue to narrate tumultuous events that surrounded the 1947 partition of India and Pakistan upon independence from British imperial rule. Their writings join utopian imaginings and legacies of the past with dystopias and aspirations of today. This seminar addresses themes of identity, fragmentation, hybridity, memory, and alienation that link South Asian literary production to contemporary writing from settings elsewhere in Asia, Africa, and Latin America. Accounts of communal violence reflect global urgencies. The cultural space of India has been repeatedly transformed and redeployed according to varied cultural projects, political interests, and economic agendas. After considering brief accounts of India as represented in early chronicles of Chinese, Greek, and Persian travelers, we explore modern constructions of India in excerpts from Kipling, Forster, Orwell, and other writers of the Raj. We focus on India as remembered and imagined in selected works of writers including Salman Rushdie and Arundhati Roy. We apply interdisciplinary critical inquiry as we pursue a literature that shifts increasingly from narrating the nation to narrating its diasporic fragments in transnational contexts.