Voice and Form
It’s something we talk about in workshop and admire in the literature we read, but how does one discover one’s voice in fiction? How is voice related to subject matter, form, and point of view? How does one go about creating a memorable voice on the page? Through writing exercises and weekly reading assignments, we’ll explore these and other questions. Readings will include several genres, including young-adult novels, graphic memoirs, short stories, poetry, and creative nonfiction. Authors we’ll read include George Saunders, Barry Yourgrau, Sherman Alexie, Aimee Bender, and Jacqueline Woodson. Students will get a chance to workshop stories at least twice during the semester; for conference, there will be additional reading. Come prepared to work hard, critique the writing of others with care and insight, and hone the elements of craft in your own fiction.
Writing courses
- A Question of Character: The Art of the Profile
- Awake and Dreaming: A Poetry Reading and Writing Seminar
- Crafting Fiction: Stories that Stick
- Creative Writing Workshop
- Essay Workshop
- Fiction Workshop
- Fiction Workshop
- Fiction Workshop
- Fiction Workshop
- First-Year Studies: Poetic Forms/Forming Poetry
- First-Year Studies: The Distinctive Voice in Poetry
- Literary Journals and Writing
- Necessary Hero: A Fiction Workshop
- Nonfiction Laboratory
- PLAY Poetry Workshop
- Poetry Workshop: Focus On Poetic Tone
- Poetry Workshop: Rebels, Sirens, Outlaws
- Nonfiction Workshop: Recollected in Commotion
- Stories That Need to be Told
- The Enemies of Fiction: A Fiction-Writing Workshop
- The Source of Stories: Writing From Your Own Experience, Mixed-Genre Workshop
- Voice and Form
- Writing the Dark Side: Murder, Mayhem, and Mystery