The Postmodern Lyric: A Workshop
How have poets in the past imagined the future of poetry? How have politics and technology radicalized poetic form throughout history? In the first half of the semester, we will closely read poets from the avant-garde tradition. We will investigate debates about experimental aesthetics in the 20th century and analyze how poems address technological and political issues, both in their thematic concerns and through formal strategies. We will begin with Dadaist and Futurist manifestos and read poems from various schools of poetry such as Negritude, Oulipo, Language School, and Conceptualists, as well as poets who fall in between those movements. Poets we will focus on will include Gertrude Stein, Aime Cesaire, Raymond Queneau, David Antin, and Thersa Hak Kyung Cha. We will also read theorists such as Guy Debord and Nicholas Bourriaud and watch videos by Vito Acconci. In the second half of the semester, we will make our own projections on the future of poetry by reading contemporary poets such as Bhanu Khapil, Christian Hawkey, and Vanessa Place and by looking at videos and performances by contemporary artists such as Cynthia Hopkins and Paul Chan. We will investigate methods by which we can push the interactive possibilities of poetry by experimenting with interdisciplinary performance and docupoetics. In addition to reading and class discussion, students are required to write their own manifestos, complete poetic projects both on and off the page, and engage in one collaborative project.
Writing courses
- A Lyric Workshop: Imagery and Elegy, or How Ekphrastic Art Opens Grief
- A Question of Character: The Art of the Profile
- Carnal Knowledge
- Dialogue in Fiction: Sounds and Silence
- Edgy Memoirs
- Fiction Techniques
- Fiction Techniques
- Fiction Workshop
- Fiction Workshop
- Fiction Workshop
- Fiction Workshop
- Fiction Workshop
- Fiction Workshop
- Fiction Workshop
- First-Year Studies: Fiction Writing
- First-Year Studies in Poetry: Masks, Personas, and the Literal I
- First-Year Studies: Is Journalism What We Think It Is?
- On Beauty: A Poetry Workshop
- First-Year Studies: The Source of Stories: Writing from Your Own Experience
- Investigating the Environment: The Indian Point Project
- Literary Journals and Writing
- Memory and Fiction
- Multimedia Uses of Oral History
- Nonfiction Laboratory
- Place in Fiction
- Poetry of Inclusion
- Poetry Workshop
- Poetry Workshop: Poetic Process
- Poetry Workshop: Speaker Box
- Poetry Workshop: Surprise
- Poetry Workshop: Surprise
- Poetry Workshop: The Making of the Complete Lover
- Rhetoric and Reality in Prose and Poetry
- The Critical Essay
- The Distinctive Poetic Voice
- The Enemies of Fiction: A Fiction-Writing Workshop
- The Postmodern Lyric: A Workshop
- Visible and Invisible Ink: How Fiction Writing Happens
- Voice and Form
- Words and Pictures
- Words and Pictures
- Writing, Radio, and Aurality
- Writing, Radio, and Aurality
- Writing and Producing Radio Dramas
- Wrongfully Accused