Poetry Workshop: Speaker Box
Persona poems are poems written in the voice of a character other than the author. We can view these constructed identities as masks, acts of ventriloquism, pageantry, or possibly an alternative route to uncover a speaker’s identity on the page. In discussing persona, we will encounter subjects such as gender, history, culture, age, nationality, and/or sexuality. We will examine poems ranging from classical to contemporary, local and global poets, recorded and live performances. By studying persona, we are led to the important discussion of “finding” one’s own voice. Would we know it if we heard it? Is it something that can be developed? Or is voice innate, a cadence that lives within? On a technical level, we will study style, diction, timbre, sound, rhythm, song, and dialect as tools to uncover voice with clarity and precision. Class work will comprise student writing and critique, poetic experiments, linguistic adventure, and wild meanderings in order to understand future possibilities for one’s own poems. Writing is produced and discussed each week, followed by revision portfolios several times during the semester. The act of revision provides the discipline needed to make real poems from raw material. We will also read a book of poetry each week. Students are expected to write and read consistently, to experiment, and to be passionate about creation. The class culminates in a chapbook and a public reading in Manhattan.
Writing courses
- A Lyric Workshop: Imagery and Elegy, or How Ekphrastic Art Opens Grief
- A Question of Character: The Art of the Profile
- Carnal Knowledge
- Dialogue in Fiction: Sounds and Silence
- Edgy Memoirs
- Fiction Techniques
- Fiction Techniques
- Fiction Workshop
- Fiction Workshop
- Fiction Workshop
- Fiction Workshop
- Fiction Workshop
- Fiction Workshop
- Fiction Workshop
- First-Year Studies: Fiction Writing
- First-Year Studies in Poetry: Masks, Personas, and the Literal I
- First-Year Studies: Is Journalism What We Think It Is?
- On Beauty: A Poetry Workshop
- First-Year Studies: The Source of Stories: Writing from Your Own Experience
- Investigating the Environment: The Indian Point Project
- Literary Journals and Writing
- Memory and Fiction
- Multimedia Uses of Oral History
- Nonfiction Laboratory
- Place in Fiction
- Poetry of Inclusion
- Poetry Workshop
- Poetry Workshop: Poetic Process
- Poetry Workshop: Speaker Box
- Poetry Workshop: Surprise
- Poetry Workshop: Surprise
- Poetry Workshop: The Making of the Complete Lover
- Rhetoric and Reality in Prose and Poetry
- The Critical Essay
- The Distinctive Poetic Voice
- The Enemies of Fiction: A Fiction-Writing Workshop
- The Postmodern Lyric: A Workshop
- Visible and Invisible Ink: How Fiction Writing Happens
- Voice and Form
- Words and Pictures
- Words and Pictures
- Writing, Radio, and Aurality
- Writing, Radio, and Aurality
- Writing and Producing Radio Dramas
- Wrongfully Accused