Nonfiction Laboratory
This course is for students who want to break free of the conventions of the traditional essay and memoir and discover a broader range of narrative and stylistic possibilities available to nonfiction writers. During the first half of the semester, the class will read and discuss examples of formally innovative—or “experimental”—nonfiction that will serve as the inspiration for brief assignments. Completed assignments will also be read aloud and discussed each week. During the second half of the semester, students will workshop longer pieces that they will have written in consultation with the instructor as part of their conference work. While the primary goal of this course is to help students find new and inspiring ways of expressing themselves in writing, we will also attempt to answer, in an entirely nondogmatic fashion, three overlapping questions: Why would anyone want to write such unconventional stuff? What happens when you do? How can you tell when a nonfiction “experiment” has succeeded?
Writing courses
- A Lyric Workshop: Imagery and Elegy, or How Ekphrastic Art Opens Grief
- A Question of Character: The Art of the Profile
- Carnal Knowledge
- Dialogue in Fiction: Sounds and Silence
- Edgy Memoirs
- Fiction Techniques
- Fiction Techniques
- Fiction Workshop
- Fiction Workshop
- Fiction Workshop
- Fiction Workshop
- Fiction Workshop
- Fiction Workshop
- Fiction Workshop
- First-Year Studies: Fiction Writing
- First-Year Studies in Poetry: Masks, Personas, and the Literal I
- First-Year Studies: Is Journalism What We Think It Is?
- On Beauty: A Poetry Workshop
- First-Year Studies: The Source of Stories: Writing from Your Own Experience
- Investigating the Environment: The Indian Point Project
- Literary Journals and Writing
- Memory and Fiction
- Multimedia Uses of Oral History
- Nonfiction Laboratory
- Place in Fiction
- Poetry of Inclusion
- Poetry Workshop
- Poetry Workshop: Poetic Process
- Poetry Workshop: Speaker Box
- Poetry Workshop: Surprise
- Poetry Workshop: Surprise
- Poetry Workshop: The Making of the Complete Lover
- Rhetoric and Reality in Prose and Poetry
- The Critical Essay
- The Distinctive Poetic Voice
- The Enemies of Fiction: A Fiction-Writing Workshop
- The Postmodern Lyric: A Workshop
- Visible and Invisible Ink: How Fiction Writing Happens
- Voice and Form
- Words and Pictures
- Words and Pictures
- Writing, Radio, and Aurality
- Writing, Radio, and Aurality
- Writing and Producing Radio Dramas
- Wrongfully Accused