Fiction Workshop
Nabokov stated that there are three points of view from which a writer can be considered: as a storyteller, as a teacher, and as an enchanter. We will consider all three, but it is with the art of enchantment that this workshop is most dedicated. We will walk through the process of writing a story: Where does the story come from? How do we know when we are ready to begin? How do we avoid succumbing to safe and unoriginal decisions and learn to recognize and trust our more mysterious and promising impulses? How do our characters guide the work? How do we come to know an ending, and how do we earn that ending? And finally, how do we create the enchantment necessary to involve, persuade, and move the reader in the ways that fiction is most capable? We will investigate the craft of fiction through readings and discussion and numerous exercises. Our objective for the semester is for you to write, revise, and workshop at least one fully developed story.
Writing courses
- A Lyric Workshop: Imagery and Elegy, or How Ekphrastic Art Opens Grief
- A Question of Character: The Art of the Profile
- Carnal Knowledge
- Dialogue in Fiction: Sounds and Silence
- Edgy Memoirs
- Fiction Techniques
- Fiction Techniques
- Fiction Workshop
- Fiction Workshop
- Fiction Workshop
- Fiction Workshop
- Fiction Workshop
- Fiction Workshop
- Fiction Workshop
- First-Year Studies: Fiction Writing
- First-Year Studies in Poetry: Masks, Personas, and the Literal I
- First-Year Studies: Is Journalism What We Think It Is?
- On Beauty: A Poetry Workshop
- First-Year Studies: The Source of Stories: Writing from Your Own Experience
- Investigating the Environment: The Indian Point Project
- Literary Journals and Writing
- Memory and Fiction
- Multimedia Uses of Oral History
- Nonfiction Laboratory
- Place in Fiction
- Poetry of Inclusion
- Poetry Workshop
- Poetry Workshop: Poetic Process
- Poetry Workshop: Speaker Box
- Poetry Workshop: Surprise
- Poetry Workshop: Surprise
- Poetry Workshop: The Making of the Complete Lover
- Rhetoric and Reality in Prose and Poetry
- The Critical Essay
- The Distinctive Poetic Voice
- The Enemies of Fiction: A Fiction-Writing Workshop
- The Postmodern Lyric: A Workshop
- Visible and Invisible Ink: How Fiction Writing Happens
- Voice and Form
- Words and Pictures
- Words and Pictures
- Writing, Radio, and Aurality
- Writing, Radio, and Aurality
- Writing and Producing Radio Dramas
- Wrongfully Accused