Fictions of Embodiment
Open—Fall
How does fiction tell of the body? More importantly, how does it emerge from and get shaped by embodied identities? This workshop will examine the body and embodiment in the short story, the novel, and select memoir/nonfiction. We will incorporate close reading of text and weekly writing exercises, along with workshops of student writing. Possible texts include works by Alice Walker, Lynne Sharon Shwartz, Lucy Grealy, Nancy Mairs, Richard McCann, Richard Selzer, Mark Haddon, Laurie Halsie Anderson, Cortney Davis, Shyam Salvadurai, Kazuo Ishiguro, and Jose Saramango. Ultimately, the course will explore the interconnections of voice and body. In the words of Nancy Mairs, “No body, no voice; no voice, no body. That’s what I know in my bones.”
Writing courses
- A Question of Character: The Art of the Profile
- Connected Collections
- Dialogue in Fiction: Sounds and Silence
- Edgy Memoirs
- First-Year Studies: Exploring Voice, Image, and Form in Poetry
- Fictions of Embodiment
- Fiction Techniques
- Fiction Techniques
- Fiction Workshop
- First-Year Studies in Fiction
- Fiction Workshop
- Fiction Workshop: You write. I read. We talk.
- First-Year Studies: Exploring Subject Matter in Fiction
- First-Year Studies in Fiction
- First-Year Studies in Poetry
- First-Year Studies: World Literature and Writing
- Less Race Less Race Less Ness
- Living Poets
- Memory and Fiction
- Multimedia Uses of Oral History
- Nonfiction Laboratory
- Place in Fiction
- Poet as World Citizen
- Poetry Workshop
- Poetry Workshop: Poetic Process
- Poetry Workshop: Poetic Tone
- Poetry Workshop: The Making of the Complete Lover
- Sparks in the Void: A Fiction-Writing Workshop
- The Image Factory: A Poetry Workshop
- The Indian Point Project
- Visible and Invisible Ink: How Fiction Writing Happens
- Voice and Form
- Where Words Are Born
- Words & Pictures
- Writing, Radio, and Aurality
- Writing and Reading Fiction
- Writing Our Moment
- Wrongfully Accused
- Young America

