Writing
In Sarah Lawrence College’s nationally recognized Writing program, students work in close collaboration with faculty members who are active, successful writers. The program focuses on the art and craft of writing. Courses in poetry, fiction, and creative nonfiction are offered.
In workshops, students practice their writing and critique each other’s work. The program encourages students to explore an array of distinctive perspectives and techniques that will extend their own writing ability—whatever their preferred genre. Conferences provide students with close, continual mentoring and guidance and with opportunities to encounter personally their teachers’ professional experiences. Teachers critique their students’ writing and select readings specifically to augment or challenge each student’s work. In conferences, student and teacher chart a course of study that best allows individual students to pursue subjects and issues that interest them, to develop their own voice, to hone their techniques, and to grow more sophisticated as readers and critics.
The College offers a vibrant community of writers and probably the largest writing faculty available to undergraduates anywhere in the country. Visits from guest writers who give public readings and lectures are an important component of the curriculum throughout the year.
Sarah Lawrence College also takes full advantage of its proximity to the New York City literary scene, with its readings, literary agencies, publishing houses, and bookstores—as well as its wealth of arts and culture. The city provides fertile ground for internships in which students can use their writing training in educational programs, schools, publishing houses, small presses, journal productions, magazines, and nonprofit arts agencies.
Writing courses
- A Lyric Workshop: Imagery and Elegy, or How Ekphrastic Art Opens Grief
- A Question of Character: The Art of the Profile
- Carnal Knowledge
- Dialogue in Fiction: Sounds and Silence
- Edgy Memoirs
- Fiction Techniques
- Fiction Techniques
- Fiction Workshop
- Fiction Workshop
- Fiction Workshop
- Fiction Workshop
- Fiction Workshop
- Fiction Workshop
- Fiction Workshop
- First-Year Studies: Fiction Writing
- First-Year Studies in Poetry: Masks, Personas, and the Literal I
- First-Year Studies: Is Journalism What We Think It Is?
- On Beauty: A Poetry Workshop
- First-Year Studies: The Source of Stories: Writing from Your Own Experience
- Investigating the Environment: The Indian Point Project
- Literary Journals and Writing
- Memory and Fiction
- Multimedia Uses of Oral History
- Nonfiction Laboratory
- Place in Fiction
- Poetry of Inclusion
- Poetry Workshop
- Poetry Workshop: Poetic Process
- Poetry Workshop: Speaker Box
- Poetry Workshop: Surprise
- Poetry Workshop: Surprise
- Poetry Workshop: The Making of the Complete Lover
- Rhetoric and Reality in Prose and Poetry
- The Critical Essay
- The Distinctive Poetic Voice
- The Enemies of Fiction: A Fiction-Writing Workshop
- The Postmodern Lyric: A Workshop
- Visible and Invisible Ink: How Fiction Writing Happens
- Voice and Form
- Words and Pictures
- Words and Pictures
- Writing, Radio, and Aurality
- Writing, Radio, and Aurality
- Writing and Producing Radio Dramas
- Wrongfully Accused