Writing the Television Series
This course will explore developing and writing an original television series. We will drill down into the process, investigating the art, craft, and practice of how to create and pitch a TV show. We will discuss what producers and TV executives seek in today’s ever-changing and mercurial marketplace, how to “break in,” cable versus network, the mechanics of going “on staff” for a show and what the writer is expected to contribute, structuring a script, writing dramatic scenes based on conflict, creating strong characters, and crafting meaningful dialogue. And you will write and write and write. Students will pitch ideas and pursue a detailed series “treatment” in the first part of the course, with the aim of outlining a pilot episode and delivering a series “teaser” and first act by the end of the course. In conference, the writer may write a “spec-script” for an existing show as a writing sample for festival competition and industry notice. S/he could consider taking her/his original project to the next level, completing the pilot, structuring further episodes for her/his original series, and the like. Some previous study in screenwriting is preferable, but a passion for telling stories in the powerful and influential television form is requisite.
Visual Arts courses
- Advanced Painting I
- Advanced Painting II
- Advanced Photography
- Advanced Printmaking
- Animation Studio: Direct Techniques
- Artist Books
- Basic Analog Black-and-White Photography
- Basic Color Photography
- Beginning Painting: Form and Color
- Cinematography, Composition and Form
- Cinematography: Composition, Color and Style
- Color
- Concepts in Sculpture
- Contemporary Painting II: Discourse and Practice
- Contemporary Painting I: Studio Practice
- Digital Documentary Storytelling: Development and Process
- Digital Imaging Techniques
- Drawing for Animation: Light and Form
- Drawing Machines
- Drawing: Seeing in Reverse
- Experimental Animation: Hybrid Imaging
- Filmmaking Structural Analysis
- Filmmaking: Visions of Social Justice
- First-Year Studies in Printmaking
- First-Year Studies: Working With Performance For Screenwriters and Directors
- Interdisciplinary Studio/Seminar
- Intermediate Photography
- Kinetic Sculpture with Arduino
- Machines as Material
- Making the Genre Film: Horror, Sci-Fi, and Fantasy
- Making the Independent Feature Film
- Media Sketchbooks
- Producing Independent Film, TV, and Video: A Real-World Guide, Part I
- Producing Independent Film, TV, and Video: A Real-World Guide, Part II
- Screenwriting: The Art and Craft of Film-Telling
- Screenwriting: The Art and Craft of Film-Telling
- Script to Screen
- Script to Screen
- Storyboard Drawing and Visualization for Film, Animation, and Interactive Media
- Sustainable Architecture Studio Lab
- The Director Prepares
- The Director Prepares
- Things and Beyond
- Third Screen: Playable Media for Mobile Devices
- Two-Dimensional Design
- Working With Light and Shadows
- Working With Light and Shadows
- Writing for the Screen
- Writing the Television Series