Producing Independent Film, TV, and Video: A Real-World Guide, Part I
Producers are credited on every film, television, and media project made. They are crucial—even seminal—to each and every production, no matter how big or small. Yet, even as a pivotal position in the creative and practical process of making a film, TV show, or media project, the title, “Producer” is perhaps the least understood of all the collaborators involved. What is a producer? This course answers that question, examining what a producer actually does in the creation of screen-based media and the many hats one, or a small army of producers, may wear at any given time. Students will explore the role of the producer in the filmmaking, television, and video process from the moment of creative inspiration through project development and proposal writing, financing, physical production—indeed, down to,the nuts-and-bolts aspects of script breakdown, budgeting, scheduling, and delivering a film, TV, or video project. Students will gain hands-on experience in developing projects, breaking them down into production elements, and crafting schedules and budgets, as well as learn pitching skills and packaging strategies. Course work includes proposal and treatment writing, script breakdown, scheduling and budgeting, pitching, and final project presentation. Conference projects may include the producing of a film or media project by a student in another filmmaking production class at Sarah Lawrence College, a case study of several films from the producer perspective, the development and pre-production of a proposed future “virtual” film or video project, and the like. A practical course in the ways and means of producing, the class will consider the current state of producing through case studies, nuts-and-bolts production software and exercises, and guest producers, directors, actors, and industry professionals currently working in film and television. Designed to provide real-world producing guidance, the course provides filmmakers and screenwriters with a window on the importance of and mechanics pertaining to the producing discipline and a practical skill set for seeking work in the filmmaking and media making world after Sarah Lawrence College.
Visual Arts courses
- Advanced Painting I
- Advanced Painting II
- Advanced Photography
- Advanced Printmaking
- Animation Studio: Direct Techniques
- Artist Books
- Basic Analog Black-and-White Photography
- Basic Color Photography
- Beginning Painting: Form and Color
- Cinematography, Composition and Form
- Cinematography: Composition, Color and Style
- Color
- Concepts in Sculpture
- Contemporary Painting II: Discourse and Practice
- Contemporary Painting I: Studio Practice
- Digital Documentary Storytelling: Development and Process
- Digital Imaging Techniques
- Drawing for Animation: Light and Form
- Drawing Machines
- Drawing: Seeing in Reverse
- Experimental Animation: Hybrid Imaging
- Filmmaking Structural Analysis
- Filmmaking: Visions of Social Justice
- First-Year Studies in Printmaking
- First-Year Studies: Working With Performance For Screenwriters and Directors
- Interdisciplinary Studio/Seminar
- Intermediate Photography
- Kinetic Sculpture with Arduino
- Machines as Material
- Making the Genre Film: Horror, Sci-Fi, and Fantasy
- Making the Independent Feature Film
- Media Sketchbooks
- Producing Independent Film, TV, and Video: A Real-World Guide, Part I
- Producing Independent Film, TV, and Video: A Real-World Guide, Part II
- Screenwriting: The Art and Craft of Film-Telling
- Screenwriting: The Art and Craft of Film-Telling
- Script to Screen
- Script to Screen
- Storyboard Drawing and Visualization for Film, Animation, and Interactive Media
- Sustainable Architecture Studio Lab
- The Director Prepares
- The Director Prepares
- Things and Beyond
- Third Screen: Playable Media for Mobile Devices
- Two-Dimensional Design
- Working With Light and Shadows
- Working With Light and Shadows
- Writing for the Screen
- Writing the Television Series