Filmmaking Structural Analysis
The course explores narrative storytelling forms in contemporary cinema and screenwriting. Geared toward the perspective of the aspiring/emerging screenwriter, filmmaker, and/or media artist, the seminar includes screenings of films and the concurrent reading of source materials and their respective screenplays. Cinema language, dramatic theory, and cinematic story structures will be explored, including sequencing, episodic, three-act, four-act, seven-act, teleplay, and the so-called character-driven forms. Selected texts will also be read, and weekly structural analyses will be written. Students will also explore screenwriting exercises throughout the course and investigate the connection between oral storytelling and the nature of narration through the screenplay. Conference projects often focus on the development of a long-form screenplay/teleplay, analytical research paper, or other film-related endeavors. A foundation course for narrative screenwriting, filmmaking, and new media projects, as well as dramatic analysis, the course develops skills that can be applied to other forms of dramatic writing and storytelling.
Visual Arts courses
- Advanced Painting I
- Advanced Painting II
- Advanced Photography
- Advanced Printmaking
- Animation Studio: Direct Techniques
- Artist Books
- Basic Analog Black-and-White Photography
- Basic Color Photography
- Beginning Painting: Form and Color
- Cinematography, Composition and Form
- Cinematography: Composition, Color and Style
- Color
- Concepts in Sculpture
- Contemporary Painting II: Discourse and Practice
- Contemporary Painting I: Studio Practice
- Digital Documentary Storytelling: Development and Process
- Digital Imaging Techniques
- Drawing for Animation: Light and Form
- Drawing Machines
- Drawing: Seeing in Reverse
- Experimental Animation: Hybrid Imaging
- Filmmaking Structural Analysis
- Filmmaking: Visions of Social Justice
- First-Year Studies in Printmaking
- First-Year Studies: Working With Performance For Screenwriters and Directors
- Interdisciplinary Studio/Seminar
- Intermediate Photography
- Kinetic Sculpture with Arduino
- Machines as Material
- Making the Genre Film: Horror, Sci-Fi, and Fantasy
- Making the Independent Feature Film
- Media Sketchbooks
- Producing Independent Film, TV, and Video: A Real-World Guide, Part I
- Producing Independent Film, TV, and Video: A Real-World Guide, Part II
- Screenwriting: The Art and Craft of Film-Telling
- Screenwriting: The Art and Craft of Film-Telling
- Script to Screen
- Script to Screen
- Storyboard Drawing and Visualization for Film, Animation, and Interactive Media
- Sustainable Architecture Studio Lab
- The Director Prepares
- The Director Prepares
- Things and Beyond
- Third Screen: Playable Media for Mobile Devices
- Two-Dimensional Design
- Working With Light and Shadows
- Working With Light and Shadows
- Writing for the Screen
- Writing the Television Series