Experimental Animation: Hybrid Imaging
In this course, students will develop fluency with the knowledge of creative possibilities embedded in the marriage between hand animation and digital processes. Working exclusively in the Adobe softwares Photoshop® and AfterEffects®, we will explore the production of animated films by integrating found photographic material, 2D puppetry, rotoscoping, and other digital markmaking with live media and sound. Students will produce a series of short animated works ranging in length from one to three minutes. Final projects will include animations for cinema, performance animations, and/or animation for installations. The goal this semester is to discover new ways to use the digital animation medium for idea-based applications. We will work on concept development, visual planning, and production pathways. Frequent discussions about your work and about the work of renowned artists will broaden the understanding and appreciation of experimental work and will expand each participant’s creative boundaries. Prior knowledge of digital production and editing software is not required. Two separate eight-person classes meet one time per week.
Visual Arts courses
- Advanced Painting I
- Advanced Painting II
- Advanced Photography
- Advanced Printmaking
- Animation Studio: Direct Techniques
- Artist Books
- Basic Analog Black-and-White Photography
- Basic Color Photography
- Beginning Painting: Form and Color
- Cinematography, Composition and Form
- Cinematography: Composition, Color and Style
- Color
- Concepts in Sculpture
- Contemporary Painting II: Discourse and Practice
- Contemporary Painting I: Studio Practice
- Digital Documentary Storytelling: Development and Process
- Digital Imaging Techniques
- Drawing for Animation: Light and Form
- Drawing Machines
- Drawing: Seeing in Reverse
- Experimental Animation: Hybrid Imaging
- Filmmaking Structural Analysis
- Filmmaking: Visions of Social Justice
- First-Year Studies in Printmaking
- First-Year Studies: Working With Performance For Screenwriters and Directors
- Interdisciplinary Studio/Seminar
- Intermediate Photography
- Kinetic Sculpture with Arduino
- Machines as Material
- Making the Genre Film: Horror, Sci-Fi, and Fantasy
- Making the Independent Feature Film
- Media Sketchbooks
- Producing Independent Film, TV, and Video: A Real-World Guide, Part I
- Producing Independent Film, TV, and Video: A Real-World Guide, Part II
- Screenwriting: The Art and Craft of Film-Telling
- Screenwriting: The Art and Craft of Film-Telling
- Script to Screen
- Script to Screen
- Storyboard Drawing and Visualization for Film, Animation, and Interactive Media
- Sustainable Architecture Studio Lab
- The Director Prepares
- The Director Prepares
- Things and Beyond
- Third Screen: Playable Media for Mobile Devices
- Two-Dimensional Design
- Working With Light and Shadows
- Working With Light and Shadows
- Writing for the Screen
- Writing the Television Series