Drawing: Seeing in Reverse
Drawing is an endlessly exciting art form that encourages experimentation and embraces mistakes. It’s a reflection of how we think visually on paper. This will be a highly creative, rigorous course that will challenge you to think about the medium of drawing in new and transformative ways. In the fall semester, you will learn about tools and techniques of observational drawing and how to translate onto paper, with accuracy, what you see of the visible world. In the spring semester, we will make more open-ended, experimental, idea-based drawings. Some of our subjects will include: the human figure, space, memory, portraiture, time, text, installation, collage, imagination, collaboration, color, and humor. Permeating all of this will be our investigation into ways of introducing content into your work: What will your drawings be about?Through varied, in-depth projects, you will gain a greater understanding of the techniques of drawing and will learn to combine ideas and mediums in personal, thought-provoking ways. Studio practice will be reinforced through discussion, written work, readings, slides, and museum visits. Visiting artists and studio visits with artists in New York City will be scheduled.
Visual Arts courses
- Advanced Painting I
- Advanced Painting II
- Advanced Photography
- Advanced Printmaking
- Animation Studio: Direct Techniques
- Artist Books
- Basic Analog Black-and-White Photography
- Basic Color Photography
- Beginning Painting: Form and Color
- Cinematography, Composition and Form
- Cinematography: Composition, Color and Style
- Color
- Concepts in Sculpture
- Contemporary Painting II: Discourse and Practice
- Contemporary Painting I: Studio Practice
- Digital Documentary Storytelling: Development and Process
- Digital Imaging Techniques
- Drawing for Animation: Light and Form
- Drawing Machines
- Drawing: Seeing in Reverse
- Experimental Animation: Hybrid Imaging
- Filmmaking Structural Analysis
- Filmmaking: Visions of Social Justice
- First-Year Studies in Printmaking
- First-Year Studies: Working With Performance For Screenwriters and Directors
- Interdisciplinary Studio/Seminar
- Intermediate Photography
- Kinetic Sculpture with Arduino
- Machines as Material
- Making the Genre Film: Horror, Sci-Fi, and Fantasy
- Making the Independent Feature Film
- Media Sketchbooks
- Producing Independent Film, TV, and Video: A Real-World Guide, Part I
- Producing Independent Film, TV, and Video: A Real-World Guide, Part II
- Screenwriting: The Art and Craft of Film-Telling
- Screenwriting: The Art and Craft of Film-Telling
- Script to Screen
- Script to Screen
- Storyboard Drawing and Visualization for Film, Animation, and Interactive Media
- Sustainable Architecture Studio Lab
- The Director Prepares
- The Director Prepares
- Things and Beyond
- Third Screen: Playable Media for Mobile Devices
- Two-Dimensional Design
- Working With Light and Shadows
- Working With Light and Shadows
- Writing for the Screen
- Writing the Television Series