Contemporary Painting II: Discourse and Practice
This intermediate painting course addresses the relationship of form and content in the expanded field of contemporary painting. A series of open-ended painting assignments will provide parameters within which students may navigate their personal interests, focus criteria, and deepen their technical practices. Projects will include observational and media-based image sourcing, composite spaces, abstraction, collaboration, stylistic homages, and fictional portraiture. Students may work in oil or acrylic (nonconventional material also welcome). A sketchbook practice is required for collecting source material, developing imagery, research, and class notes. Final conference projects will be grounded in independent research as it relates to the student’s personal sensibility. In addition to studio production, students will investigate the historical and contemporary relevance of their work through readings, slide shows, and presentations. Critical and communication skills related to painting will be developed through critique and group discussions. Visiting artists, workshops, and field trips will be integrated into the course curriculum to enrich the painting process. Open to students who have had painting courses at a college or advanced high-school level.
Visual Arts courses
- Advanced Painting I
- Advanced Painting II
- Advanced Photography
- Advanced Printmaking
- Animation Studio: Direct Techniques
- Artist Books
- Basic Analog Black-and-White Photography
- Basic Color Photography
- Beginning Painting: Form and Color
- Cinematography, Composition and Form
- Cinematography: Composition, Color and Style
- Color
- Concepts in Sculpture
- Contemporary Painting II: Discourse and Practice
- Contemporary Painting I: Studio Practice
- Digital Documentary Storytelling: Development and Process
- Digital Imaging Techniques
- Drawing for Animation: Light and Form
- Drawing Machines
- Drawing: Seeing in Reverse
- Experimental Animation: Hybrid Imaging
- Filmmaking Structural Analysis
- Filmmaking: Visions of Social Justice
- First-Year Studies in Printmaking
- First-Year Studies: Working With Performance For Screenwriters and Directors
- Interdisciplinary Studio/Seminar
- Intermediate Photography
- Kinetic Sculpture with Arduino
- Machines as Material
- Making the Genre Film: Horror, Sci-Fi, and Fantasy
- Making the Independent Feature Film
- Media Sketchbooks
- Producing Independent Film, TV, and Video: A Real-World Guide, Part I
- Producing Independent Film, TV, and Video: A Real-World Guide, Part II
- Screenwriting: The Art and Craft of Film-Telling
- Screenwriting: The Art and Craft of Film-Telling
- Script to Screen
- Script to Screen
- Storyboard Drawing and Visualization for Film, Animation, and Interactive Media
- Sustainable Architecture Studio Lab
- The Director Prepares
- The Director Prepares
- Things and Beyond
- Third Screen: Playable Media for Mobile Devices
- Two-Dimensional Design
- Working With Light and Shadows
- Working With Light and Shadows
- Writing for the Screen
- Writing the Television Series