SLC.edu / Undergraduate Catalogue / Creative and Performing Arts / Visual Arts / 2013-2014
Cinematography, Composition and Form
Intermediate—Fall
Building on the foundation of “Working With Light & Shadows,” this course continues to explore many of the elements at play in the construction of a shot, including framing, color, exposure, depth of field, and movement. More ambitious and intricate short scenes will be produced in class, geared toward expanding skills in terms of set etiquette, production language, and workflow. Students will discuss work and give feedback that will be incorporated into the next round of projects. For conference work, students will be required to produce a new short project on HD Video (3-5 minutes in length), incorporating elements discussed throughout the semester. They will write the concept, outline the project, write and/or collaborate on the screenplay to be shot, draw floor plans, create shot-lists, shoot, edit, and screen the final project for the class. Students will collaborate with peers on projects in order to hone their abilities. This is an intensive, hands-on workshop that challenges the student in all aspects of film production. By the end of the course, students should have the skill set and feel confident in applying for entry-level or better production opportunities on professional productions.
Visual Arts courses
- Advanced Painting I
- Advanced Painting II
- Advanced Photography
- Advanced Printmaking
- Animation Studio: Direct Techniques
- Artist Books
- Basic Analog Black-and-White Photography
- Basic Color Photography
- Beginning Painting: Form and Color
- Cinematography, Composition and Form
- Cinematography: Composition, Color and Style
- Color
- Concepts in Sculpture
- Contemporary Painting II: Discourse and Practice
- Contemporary Painting I: Studio Practice
- Digital Documentary Storytelling: Development and Process
- Digital Imaging Techniques
- Drawing for Animation: Light and Form
- Drawing Machines
- Drawing: Seeing in Reverse
- Experimental Animation: Hybrid Imaging
- Filmmaking Structural Analysis
- Filmmaking: Visions of Social Justice
- First-Year Studies in Printmaking
- First-Year Studies: Working With Performance For Screenwriters and Directors
- Interdisciplinary Studio/Seminar
- Intermediate Photography
- Kinetic Sculpture with Arduino
- Machines as Material
- Making the Genre Film: Horror, Sci-Fi, and Fantasy
- Making the Independent Feature Film
- Media Sketchbooks
- Producing Independent Film, TV, and Video: A Real-World Guide, Part I
- Producing Independent Film, TV, and Video: A Real-World Guide, Part II
- Screenwriting: The Art and Craft of Film-Telling
- Screenwriting: The Art and Craft of Film-Telling
- Script to Screen
- Script to Screen
- Storyboard Drawing and Visualization for Film, Animation, and Interactive Media
- Sustainable Architecture Studio Lab
- The Director Prepares
- The Director Prepares
- Things and Beyond
- Third Screen: Playable Media for Mobile Devices
- Two-Dimensional Design
- Working With Light and Shadows
- Working With Light and Shadows
- Writing for the Screen
- Writing the Television Series