Beginning Painting: Form and Color
This course is an introduction to painting in acrylics and oils. In the first semester, the class assignments focus on abstraction in combination with color theory and color mixing. Drawing will be an integral part of the course: in the first semester, learning to work from observation of everyday objects; in the second semester, from the figure. Each assignment will call upon the student to make decisions in order to complete the project in a creative manner. There will be regular class discussions on the progress of the work, as well as visual presentations on art history and on individual artists. The conference work will begin with drawing in a sketchbook and with individually assigned readings on art. The final conference project will be a large painting. This will be developed from the drawings and from the progress made in the student’s understanding of painting as a process. The student will be required to work in the studio, in addition to the class periods, in order to complete the assigned painting and conference work. The goal of this course is to become confident in one’s painting ability and to develop a visual vocabulary. The student will be required to take two workshops: one in Photoshop; the other, the choice of the individual. Open to both the student who is new to painting and the student who has had prior art-making experience.
Visual Arts courses
- Advanced Painting I
- Advanced Painting II
- Advanced Photography
- Advanced Printmaking
- Animation Studio: Direct Techniques
- Artist Books
- Basic Analog Black-and-White Photography
- Basic Color Photography
- Beginning Painting: Form and Color
- Cinematography, Composition and Form
- Cinematography: Composition, Color and Style
- Color
- Concepts in Sculpture
- Contemporary Painting II: Discourse and Practice
- Contemporary Painting I: Studio Practice
- Digital Documentary Storytelling: Development and Process
- Digital Imaging Techniques
- Drawing for Animation: Light and Form
- Drawing Machines
- Drawing: Seeing in Reverse
- Experimental Animation: Hybrid Imaging
- Filmmaking Structural Analysis
- Filmmaking: Visions of Social Justice
- First-Year Studies in Printmaking
- First-Year Studies: Working With Performance For Screenwriters and Directors
- Interdisciplinary Studio/Seminar
- Intermediate Photography
- Kinetic Sculpture with Arduino
- Machines as Material
- Making the Genre Film: Horror, Sci-Fi, and Fantasy
- Making the Independent Feature Film
- Media Sketchbooks
- Producing Independent Film, TV, and Video: A Real-World Guide, Part I
- Producing Independent Film, TV, and Video: A Real-World Guide, Part II
- Screenwriting: The Art and Craft of Film-Telling
- Screenwriting: The Art and Craft of Film-Telling
- Script to Screen
- Script to Screen
- Storyboard Drawing and Visualization for Film, Animation, and Interactive Media
- Sustainable Architecture Studio Lab
- The Director Prepares
- The Director Prepares
- Things and Beyond
- Third Screen: Playable Media for Mobile Devices
- Two-Dimensional Design
- Working With Light and Shadows
- Working With Light and Shadows
- Writing for the Screen
- Writing the Television Series