Producing Independent Film, TV and Video: A Real World Guide I
Producers are credited on every film, television and media project made. They are crucial—even seminal—to each and every production, no matter how big or small. Yet, even as a pivotal position in the creative and practical process of making a film, TV show or media project, the title, “Producer” is perhaps the least understood of all the collaborators involved. What is a producer? This course answers that question, examining what a producer actually does in the creation of screen-based media and the many hats one, or a small army of producers may wear at any given time. Students will explore the role of the producer in the filmmaking, television and video process, from the moment of creative inspiration, through project development and proposal writing, financing, physical production (indeed, down to the nuts-and-bolts aspects of script breakdown, budgeting, scheduling, and delivering a film, TV or video project), marketing, navigating the film festival gauntlet, as well as drilling down into the distribution process & strategies. A practical course in the ways and means of producing, the class will consider the history and current state of producing through case studies, nuts and bolts production software and exercises, and guest producers, directors, actors, and industry professionals currently working in film, television, and video. Students will gain hands-on experience in developing projects, breaking them down into production elements, crafting schedules and budgets, as well as learn pitching skills and packaging strategies. Course work includes proposal and treatment writing, script breakdown, scheduling and budgeting, pitching, and final project presentation. Conference projects may include the producing of a film or media project by a student in another filmmaking production class at SLC, a case study of several films from the producer perspective, the development and pre-production of a proposed future “virtual” film or video project, and the like. Designed to provide real world producing guidance and experience where anything can -- and will – happen, the course provides filmmakers and screenwriters with a window on the importance of and mechanics pertaining to the producing discipline and a practical skill set for seeking work in the filmmaking and media making world after SLC.
Visual Arts courses
- Advanced Photography
- Advanced Printmaking
- Animation: Documentary
- Animation: Claymation and Puppets
- Architecture Studio: Designing Built Form
- Art Games, Creative Code, and Experimental Media
- Artist Books
- Basic Color Photography
- Beginning Painting: Form and Image
- Black-and-White Photography
- Character Development Drawing for Animation, Film, and Interactive Media
- Cinematography – Composition, Color, and Style
- Color
- Concepts in Sculpture
- Contemporary Painting: Discourse and Practice
- Designing for Physical Interaction
- Digital Documentary Storytelling: Development and Production
- Digital Imaging Techniques
- Drawing: A Big Evolution
- Drawing: Translating an Invisible World
- Dungeons, Dragons and Drama: The Tabletop RPG
- Filmmaking for the Web: Making the Independent Web Feature Film
- Video/Media Laboratory: Abstractions
- Video/Media Laboratory: Experimental Narrative
- First-Year Studies: Finding Yourself In Film: An Introduction to Filmmaking
- Frame x Frame II: The Short Form
- Frame x Frame I: The Fluid Master
- Further Painting
- Games People Write: Narrative Design and Screenwriting for Games
- Hacked, Glitched and Emergent Systems
- Industrial Design
- Interdisciplinary Studio/Seminar
- Intermediate Photography
- Landscape as Material – Joe Winter
- Making the Independent Web Feature Film
- Physical Computing: Beginning With Interactive Electronics
- Printmaking I, II
- Printmaking I, II (Monotype/Monoprint)
- Producing Independent Film, TV and Video: A Real World Guide I
- Producing Independent Film, TV and Video: A Real World Guide II
- Screenwriting: Structure: Sequences Into Three Acts
- Screenwriting: The Art and Craft of Film-Telling
- Screenwriting: Writing the Contemporary “Film”
- Storyboard Drawing and Visualization for Film, Animation and Interactive Media
- Studio Practice: 27 Paintings
- The Body, Inside Out: Interdisciplinary Studio
- The Director Prepares
- The Director Prepares
- The Face: A Mixed-Media Studio
- Things and Beyond
- Time as Material: Sculpture and the Fourth Dimension
- Working With Light and Shadow
- Working With Light and Shadow
- Writing for the Screen
- Writing Movies: Simple Screenplay Structure
- Writing the Television Series