Frame x Frame I: The Fluid Master
This course is for students who wish to “think cinematically.” It will be an intensive, hands-on introduction to filmmaking. Students will work individually and in groups to produce a series of fiction films. In addition to the required class work, students will attend mandatory craft courses in directing actors, cinematography, and editing. The craft course takes place one evening per week outside of class. The first film assignment, “The 2 Minute,” is a video project to be edited in camera. Students will not be allowed to review their material until it is presented in class. The second assignment, “On Location,” will introduce students to 16mm cameras and production. Six-to-eight classes during the fall semester will be dedicated to the second assignment, in which students will practice skills learned in cinematography, acting, and general set coordination. The final requirement is the conference project. Students will produce and direct a five-minute film, working with assigned crews. This will incorporate all of the technical aspects of film production that were discussed in lectures, screenings, and demonstrations: preproduction planning, budgeting, shot list, storyboards, and script breakdown. In this course, students will explore the structure and aesthetics of films from around the world while gaining practical experience transforming their own ideas into action.
Visual Arts courses
- Advanced Photography
- Advanced Printmaking
- Animation: Documentary
- Animation: Claymation and Puppets
- Architecture Studio: Designing Built Form
- Art Games, Creative Code, and Experimental Media
- Artist Books
- Basic Color Photography
- Beginning Painting: Form and Image
- Black-and-White Photography
- Character Development Drawing for Animation, Film, and Interactive Media
- Cinematography – Composition, Color, and Style
- Color
- Concepts in Sculpture
- Contemporary Painting: Discourse and Practice
- Designing for Physical Interaction
- Digital Documentary Storytelling: Development and Production
- Digital Imaging Techniques
- Drawing: A Big Evolution
- Drawing: Translating an Invisible World
- Dungeons, Dragons and Drama: The Tabletop RPG
- Filmmaking for the Web: Making the Independent Web Feature Film
- Video/Media Laboratory: Abstractions
- Video/Media Laboratory: Experimental Narrative
- First-Year Studies: Finding Yourself In Film: An Introduction to Filmmaking
- Frame x Frame II: The Short Form
- Frame x Frame I: The Fluid Master
- Further Painting
- Games People Write: Narrative Design and Screenwriting for Games
- Hacked, Glitched and Emergent Systems
- Industrial Design
- Interdisciplinary Studio/Seminar
- Intermediate Photography
- Landscape as Material – Joe Winter
- Making the Independent Web Feature Film
- Physical Computing: Beginning With Interactive Electronics
- Printmaking I, II
- Printmaking I, II (Monotype/Monoprint)
- Producing Independent Film, TV and Video: A Real World Guide I
- Producing Independent Film, TV and Video: A Real World Guide II
- Screenwriting: Structure: Sequences Into Three Acts
- Screenwriting: The Art and Craft of Film-Telling
- Screenwriting: Writing the Contemporary “Film”
- Storyboard Drawing and Visualization for Film, Animation and Interactive Media
- Studio Practice: 27 Paintings
- The Body, Inside Out: Interdisciplinary Studio
- The Director Prepares
- The Director Prepares
- The Face: A Mixed-Media Studio
- Things and Beyond
- Time as Material: Sculpture and the Fourth Dimension
- Working With Light and Shadow
- Working With Light and Shadow
- Writing for the Screen
- Writing Movies: Simple Screenplay Structure
- Writing the Television Series