Drawing: Translating an Invisible World
Drawing is an endlessly exciting art form that encourages experimentation and embraces mistakes. It naturally exploits the relationship between seeing and thinking. This course will challenge what you think of as drawing. You will learn about the tools of traditional drawing (paper, graphite, ink, charcoal, conte, etc.) and will learn how to translate what you see onto paper. Simultaneously, you will begin to learn how to express yourself individually through drawing—how will your drawings be different from everyone else’s? We will begin with the fundamentals of drawing through observation (line, value, space), move into more complex subjects and combinations of materials, even touching on collage and abstraction, and finish with a large-scale, independent project. Each week, we will work in new ways, continuing to build on what came before and often approaching similar subject matter in different ways. We will not keep our subjects at a distance but will try to connect with them, move around and through them, deconstruct them—really understand what we are drawing. Ultimately, what can your drawings reveal beyond what we all plainly see? While we may all be looking at and drawing the same thing, you will be asked to find your own solutions to problems, take your drawings in new and unexpected directions, and extrapolate from what you know and learn. This course will ask you to look at your world with intensity and render the invisible on paper. This course is suitable for all levels. Independent work outside of class is required. Studio practice will be reinforced through discussion, occasional written work, readings, slides, and gallery/museum visits. A studio visit with an artist in New York City will also be scheduled.
Visual Arts courses
- Animation for Short Films
- Advanced Painting
- Advanced Photography
- Advanced Printmaking
- Animation Sketchbooks
- Architecture Studio: Designing Built Form
- Artist Books
- Basic Analog Black-and-White Photography
- Basic Painting: Color and Form
- Beginning Painting: Value, Color, and Composition
- Concepts in Game Design
- Contemporary Painting Practices/Traditional Techniques
- Creative Code
- Digital Documentary Storytelling: Development and Process
- Digital Photography
- Drawing: A Big Evolution
- Drawing: Translating an Invisible World
- Filmmaking Structural Analysis: Film Writing
- First-Year Studies in Visual Art
- First-Year Studies: Outside Cinema: Contemporary Approaches to Video Art Production
- First-Year Studies: The Photograph Now
- Frame By Frame I
- Frame By Frame II
- Interdisciplinary Studio/Seminar
- Intermediate Photography
- Let’s Get Physical: Building an Interactive World
- Making the Genre Film: Horror, Sci-Fi and Fantasy
- Printmaking I, II
- Producing Independent Film, TV, and Video—A Real-World Guide
- Script to Screen I
- Concepts in Sculpture
- The Art of Storytelling
- The Webisodics Project/Web Series Asylum
- Things and Beyond
- Writing for the Screen
- Writing Movies I
- Writing Movies II
- Writing the Film

