Advanced Painting
Acrylics, together with pure pigments, will be the painting media used in this course. This will give the student who has worked in oil paints the opportunity to develop new painting skills. Mr. O’Connor will begin the class by introducing the following concepts: color, space, the figure, and collage. Students will develop their individual working process and create unique solutions in response to the questions posed in the assignments. Experimentation with images will be encouraged by drawing and painting from life, using photography and working digitally on the computer. In the spring, Ms. Schneider will work with individual students to continue developing their ideas and painting methods. The class will begin by painting from the model to practice color and gesture. Then, we will experiment with painting on nontraditional surfaces, combining images and objects. The structure of this course is divided between class projects and conference work. In conference, students will be expected to complete three-to-six paintings a semester. Throughout the course, there will be class readings and individual research on contemporary art and artists, as well as visits to New York City galleries. The goal of this course is to take risks and to make soundly constructed paintings. J The course is open to students with previous college-level painting and drawing experience. The course will be taught by Mr. O'Connor in the fall and Ms. Schneider in the spring.
Visual Arts courses
- Animation for Short Films
- Advanced Painting
- Advanced Photography
- Advanced Printmaking
- Animation Sketchbooks
- Architecture Studio: Designing Built Form
- Artist Books
- Basic Analog Black-and-White Photography
- Basic Painting: Color and Form
- Beginning Painting: Value, Color, and Composition
- Concepts in Game Design
- Contemporary Painting Practices/Traditional Techniques
- Creative Code
- Digital Documentary Storytelling: Development and Process
- Digital Photography
- Drawing: A Big Evolution
- Drawing: Translating an Invisible World
- Filmmaking Structural Analysis: Film Writing
- First-Year Studies in Visual Art
- First-Year Studies: Outside Cinema: Contemporary Approaches to Video Art Production
- First-Year Studies: The Photograph Now
- Frame By Frame I
- Frame By Frame II
- Interdisciplinary Studio/Seminar
- Intermediate Photography
- Let’s Get Physical: Building an Interactive World
- Making the Genre Film: Horror, Sci-Fi and Fantasy
- Printmaking I, II
- Producing Independent Film, TV, and Video—A Real-World Guide
- Script to Screen I
- Concepts in Sculpture
- The Art of Storytelling
- The Webisodics Project/Web Series Asylum
- Things and Beyond
- Writing for the Screen
- Writing Movies I
- Writing Movies II
- Writing the Film

