Global Theatre: The Syncretic Journey
Good evening, ladies and gentlemen, and welcome to La MaMa, dedicated to the playwright and to all aspects of the theatre. —Ellen Stewart
The La MaMa Experimental Theatre Club in New York City has been the host of contemporary and international theatre artists for 50 years. You will have the opportunity to attend the performances, meet the artists, participate in workshops led by them, as well as have access to the La MaMa archives on the history of international theatre in New York. Your personal “syncretic theatre journey” is enhanced by the observance of fellow theatre-makers and oneself that is informed concretely by the application of text, research, movement, music, design, puppetry, and multimedia, as well as social and political debate in class. Coordinators of the LaMaMa International Symposium for Directors, David Diamond and Mia Yoo, will host you in New York City, where you will exchange ideas with visiting and local artists: Yara Arts Group and artists of the Great Jones Repertory Theatre. Historical/contemporary experimental texts will be discussed, such as: Psychosis by Sarah Kane, Death and the Kings Horseman by Wole Soyinka, Strange Interlude by Eugene O’Neill, The Caucasian Chalk Circle by Bertolt, A Dream Play by August Strindberg, Thunderstorm by Cao Yu, Goshram Kwotal by Vijay Tendulkar, Venus by Susan-Lori Parks, Ruined by Lynn Nottage, Mistero Buffo by Dario Fo, And They Put Handcuffs On The Flowers by Arrabal, and the works of Martin Crimp. Required reading: The Empty Space by Peter Brook. This course is a history component.