The Magic of Playwriting
This course challenges the assumption that talent cannot be taught. What we call “talent” is more likely a set of skills that may not be teachable but can be developed. During class, we discover a point of view, sharpen our creative torque, exercise focus, and listen to our subconscious. We also employ craft to make more potent our vision for a particular play. We interpret feedback from our peers in order to expand and adjust our material. Using techniques learned from great world dramatists, we rigorously edit and revise. All the while, we remember that there is a certain ineffable quality to every great play—something in its craft that remains a mystery. The objective of this course is to make the most of what can be developed or learned while retaining the magic of our work. This class meets once a week.
Theatre courses
- Acting Poetic Realism
- Acting Shakespeare
- Actors and Directors Studio
- Advanced Costume Conference
- Advanced Stage Combat
- Alexander Technique
- Auditioning
- Audition Technique
- Breathing Coordination for the Performer
- Building a Vocal Technique
- Close Up and Personal
- Comedy Workshop
- Contemporary Collaborative Performance: Grad Projects I
- Contemporary I for Dance and Theatre
- Costume Design I
- Costume Design II
- Creating a Role
- Design Elements I
- Design Elements II
- Design Techniques in Media and Animation
- Directing, Devising, and Performance
- Directing the 20th Century: From Chekhov to Churchill
- Directing Workshop
- DownStage
- Experiments in Language and Form
- Far-Off, Off-Off, Off, and On Broadway: Experiencing the 2012-2013 Theatre Season
- First-Year Studies in Theatre: A Contemporary Performance Lab
- Global Theatre: The Syncretic Journey
- Grad Lab
- History and Histrionics
- Improvisation Laboratory
- Internship Conference
- Introduction to Projection Design
- Introduction to Stage Combat
- La MaMa E.T.C.
- Lighting Design I
- Lighting Design II
- New Musical Theatre Lab
- Making New Work
- Medley Playwriting Workshop: Developing the Dramatic Idea
- Methods of Theatre Outreach
- Movement for Performance
- Playwright’s Workshop
- Playwriting Techniques
- Production Workshop
- Projects
- Puppet Theatre: Bunraku-style
- Puppet Theatre: Marionette
- Puppet Theatre: Toy Theatre and Shadow Puppetry
- Scenic Design I
- Scenic Design II
- Singing Workshop
- SLC Lampoon
- Something Great is Coming: The American Musical
- Sound Design I and II
- Stage Management
- Technology
- Actor’s Workshop
- The London Theatre Program (BADA)
- The Magic of Playwriting
- The Webisodics Project/Web Series Asylum
- Tools of the Trade
- Using the Performing Arts for Social Change
- Writers Gym
- Writing for Solo Performance